[…]awley's of High Street'], I remember, for a comedian at British International. Eventually my contract finished, and so did Hitch's. And Hitch went to Gaumont-British where they said, "What do you want to make?" He said, "Well, there's this story about 'Bulldog Drummond's Baby', but we can't get Bull[…]
[…] contract finished, and so did Hitch's. And Hitch went to Gaumont-British where they said, "What do you want to make?" […]
[…] yes. Now, what's his name, Tom Walls used mostly one-camera set-ups, he didn't have multiple camera set-ups. Then Phil Tannura left Gainsborough and Gaumont-British and went back to America and Charlie Van Enger had also gone back and they were getting more British cameramen in. They had...we did a[…]
[…] have multiple camera set-ups. Then Phil Tannura left Gainsborough and Gaumont-British and went back to America and Charlie Van Enger […]
[…] as a regional stock-taker and occasional mobile manager for the Gaumont-British circuit. He had become an ‘internal auditor’ around the […]
[…]rtita Hunt, Enid Stamp-Taylor - they were all before me, but they are all old girls, and Dora Nahabidian[?] who was in the film industry - she was at Gaumont-British in the thirties. Quite a lot of people sort of impinging that I've tracked down down the years. And while I was there, we put on a pla[…]
[…]ere was it?Jack Rockett: In Denman Street with Gaumont company.Sidney Cole: Aha. And how long did you stay?Jack Rockett: Well I was there for - until Gaumont-British Picture Corporation was formed in 1930.Sidney Cole: And that was just when things were changing over to sound.Jack Rockett: That's rig[…]
[…] entered the film industry as a page boy at the Gaumont-British Studios at Lime Grove (Shepherd’s Bush) at the age […]
