Sheila Whitaker

[…]approached, I have to say...SF: ACT?ACTT. And I always remember – I forget who was running...SF: Where are we? ‘68/69?Yeah. It was Alan.SF: George Elvin?No, Alan.SF: Alan Sapper? Already?Yes. And I have to say, that I always remember the letter we got back, basically telling us to piss off[…]

Michael Colomb

[…] all the chronologically because it's very I had forces in betweenthestage one was a music stage and they did the the music for Caesar and Cleopatra. George Bernard Shaw came down. And the director, David Gabby Pascal  at that time was everybody realise the sort of mounting bills, including, I […]

Ann Turner

[…]r, I was also doing preparing the end venture recording a programme that went out later in 66. But that's the first of the S`carlatti programmes with George Malcolm and this sort of format of performance and related history of the composers with stills and background. There's a very simple made John[…]

Robert M (Bob) Angell

[…]om Donald.They were going to do a movie, a small cheap movie, which was going to be really a pilot for television series. And they were bringing over George Raft and Maxi Rosenbloom to do thing called two guys abroad, which we shot down at Shepperton and a very small budget and a very minimal time. […]

John Shirley

[…]hose days, and it came back to technicolour because the whole thing was shot in Kenya, it was location pectin. And it was my first American director, George greyston. WhoUnknown Speaker  32:33  It must have been stopped before 53. That was mana. Patrick was easemon gala came out in aJohn S[…]

Bernard Vorhaus

[…]t of a job again. And they had an amazing library of old films. They had the very oldest of British talking films, interviews with famous people like George Bernard Shaw, coverage of events like a big fire or God knows what. And they owed me money which they couldn't pay, and agreed to sell me all t[…]

John Allen

[…]uch that they had to build a quarter of a sphere in which the plane the silhouette of the plane was projected. And it was built of metal strips which George Biggins who I work with on pin belt maintenance him and I constructed the metalwork and then we had to wire onto the metalwork plasterboard to […]
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