Richard (Tony) Arnell

[…]'t. I didn't use improvisation, I used an improvising group. By the way they've disappeared unfortunately, they were rather good I thought.JS: Sticky George. They were brilliant.RA: They've disappeared. Well groups do. Improvisation is very important. But if you' re doing electronics, David and I si[…]

Guido Coen

[…]en't proved yourself as a producer, goodbye. I was very hurt at the time until such time I was invited to join when I accepted.SC : Who was that .GC: George Elvin. I have a letter from George Elvin still in my files saying you can lay your ticket on the table because being here it didn't make any se[…]

Richard (Dickie) Best

[…]d on were produced byAnthony Havelock-Allan, one of them was photographed by Ronnie Neame,one or two were directed by David MacDonald and one even by GeorgePearson the old silent film director. They did have a lot going for them.AG: These were referred to I believe as “pound a footers”.DB: Yes “poun[…]

Madeline Smith

[…]8  Lovely memories. I loved it. Mike Dick  39:10  The next the next one I've got on the list is "Killing of Sister George". Madeline Smith  39:16  Yes, that was fun. Mike Dick  39:18  How did that all happen? M[…]

Rebecca O\'Brien

[…]rks, and it and that structure really made it, really helped the film, and, and, and in the end, we it took us a while to get the cut right, but with George Fenton's amazing score and with the songs that are in it, and somehow, somehow we got it. We got there in the end, and we felt, I mean, it was,[…]
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