[…]und like that. Terrible. But anyway, that'sRoy Fowler  17:17  the iron Duke. TheSpeaker 1  17:19  Iron Duke was great fun because George Alice was, then, as you know, the very big star of sophistication. He looked like Bertrand Russell, or something, something like that later, an[…]
[…]rdon Dines. Gordon Dines much later became a cameraman, and quite successful. But at that time, he was first assistant to a camera man by the name of George Pocknall, I remember his name very well still. Now, my first job was to carry the still camera, which was quite a big number. It was 100 tripod[…]
[…]ee brothers working in the studio: Cyril King was a neg developer on a fairly low wage, Harold King was a sound supervisor on a fairly good wage, and George King who used to do ‘quota quickies’, shoot them in a week, was arriving in a Rolls Royce every day. [laughs], and they didn’t seem to like eac[…]
[…]ior little film called Midnight at Madame Tussauds. What year was the bus to be 1936 or seven. It was directed by an old British film director called George Pearson, whose daughter I think was Winifred Pearson, who became the secretary to George Elvin of the AC t as it was there in the association o[…]
[…]ior little film called Midnight at Madame Tussauds. What year was the bus to be 1936 or seven. It was directed by an old British film director called George Pearson, whose daughter I think was Winifred Pearson, who became the secretary to George Elvin of the AC t as it was there in the association o[…]
[…]Gerrard who was a West End comedian, not terribly funny but anyhow. The picture I think it was called It's a Bet. And we had the two Black brothers...George Black was the editor, George Black junior, who is now dead, and Alfie, who's still alive, was the camera operator. And Alfie Black was great fu[…]
[…]nbsp;10:31  a right. You mean the house that eventually became very studios, yes, yes, right, yeah.Speaker 1  10:35  That was owned by George. George, somebody, another dip so nearly always got us tight room with it down there, George Davis, he was the boss of asprow. He probably need[…]
[…], well, now we are coming to, again, I suppose an important....Let me just reel off the titles to make sure that we’ve covered them The Silver King...George Pearson39 was one of the producers, does that ring any kind of bell, George Pearson?CB: Yes...I: Yes? Right.CB: Welsh-Pearson-Elder wasn’t it?I[…]
[…]lly, Wylie Watson, ‘a play with music by Frederic Isham, adaption by R.P. Weston and Bert Lee’, and that was... And Lady Luck, with Zoë Gail and George Gee, those were, were the sort of things, Michael Balfour in that. Bill Stephens, Ian Carmichael, Desmond Walter-Ellis, Eunice Gayson, Zoë Gail[…]
[…]monitor, and one was preview monitor. I'll tell you a story, which I've told several times, but we might as well go on on the record was the story of George Moore Farrell. I was and Clive of India. You know the story. I never heard it. We'd gone on a little now this must have been around about 1938 […]
