[…] and friendly in those days. And of course there '111as George Elvin who was then in charge and we all […]
[…] was a character, he came and shot Claude Duval for George Cooper. Fowler/Lawson: It wasn't Joe Rosenthal, was it? Bill […]
[…]8 Lovely memories. I loved it. Mike Dick 39:10 The next the next one I've got on the list is "Killing of Sister George". Madeline Smith 39:16 Yes, that was fun. Mike Dick 39:18 How did that all happen? M[…]
[…]es, they went to Decca, (Time 03:10) Brian Epstein took them to Decca, to there, there, and the most unsuccessful record label was Parlophone, run by George Martin. And George Martin had a couple of minor hits with Matt Munro, and that was about it, and a couple of funny things with Peter Sell[…]
[…]: He’s ex- Pathé. BJ: Oh yes. I first met him when I first joined the business at Pathé. Him and the cameraman, George, George someone. He was a lovely man. JK: Stevens. BJ: Stevens, yes. JK: He lost an eye. Great cameraman. He could do[…]
[…] case of too many... there must have beenabout eight producers on that and it just got nowhere. Then there was The Last Days of Patton with George C Scott. It’s funny...That wasn’t Patton itself was it?Phyllis Dalton Page 41No, it was The Last Days of... how he was killed, how he[…]
[…]r, I was also doing preparing the end venture recording a programme that went out later in 66. But that's the first of the S`carlatti programmes with George Malcolm and this sort of format of performance and related history of the composers with stills and background. There's a very simple made John[…]