Search Results for: Golden Globe 1968 Oliver. Moscow International 1968 Oliver. Sant Jordi Awards 1968 Oliver

[…] sound and lighting technicians share their memories of the ‘ golden age’ of television at the BBC. TV Studio History […]

[…] could I do, and to be able to offer my professional experience to a film, which is going to put exactly my point of view, I thought, well, this is a golden opportunity. But technicality at last sort of got in the way. They were going to prepared it for sure. And for editing on Avid, and they've got[…]

[…]cture, he played a gardener, and the leading lady playing Anna Pavlova, her dialog to him was, tell me so and so, whatever his name was, which way is Moscow and Roy Kinnear is sort of going on like this, and all of a sudden he burst says, I don't know my dear but I should think it's put through them[…]

[…] that bit and that’s where I went from there. It got to… what else did we do? Diamonds, and then we did Live and Let Die, Man with the Golden Gun, and then I did a thing called Inside Out in Berlin. I’d met Ken there and he’d had a terrible time with Stanley Kubrick and he c[…]

[…] could I do, and to be able to offer my professional experience to a film, which is going to put exactly my point of view, I thought, well, this is a golden opportunity. But technicality at last sort of got in the way. They were going to prepared it for sure. And for editing on Avid, and they've got[…]

[…]n, it is now Screen International, because it was breaking records. So therefore the industry loves people that make money. So, I suddenly became the golden boy on those films. And I went on to do Loving Feelingwhich was also another sexploitation film, as they called them, which did well. But […]

[…]n fact the Library totally moved to Windmill Road.  This is another kind of landmark of my maternity leave.  I had maternity leave again in 1968 when my second son was born, who now actually is a freelance video editor so he must have caught something in the atmosphere. [TIME 01:03:41] &nb[…]

[…]ate!PM: Ah, lovely he was lovely, yes. And I did The Return of the Native with him as well, with Catherine Zeta-Jones. No less.DB: Which to pick out? Goldengirl. What’s that? Joseph Sargent.PM: Joseph Sargent directed a picture called The Taking of Pelham 123 – the original, not the remake, right. A[…]

[…]probably the future - yeah”.  I said “It’s the difference between montage - where in a film - as - as Eisenstein says - you can have somebody in Moscow nod to somebody and somebody in Leningrad nods back” (laughs) that’s the difference (laughs)Q: I’ve got one more production - and that’s the ‘M[…]