[…]id Wimbledon, we did a lot of things Haringey because the Haringey Arena was still up there; we did the Horse of the Year Show from there; we did the International show from White City, we really made show jumping. There was a fellow called Mike Ansell who was boss of the British Horse Society[…]
[…]p;time. I didn't taketime off to do them without stopping. The Eisenstein I began in 1968and it wasn't finished until the end of 70. Again I made that withAlexandrov, it&[…]
[…]icture called the girls jars the mermaid thing. Miranda, we started Miranda with a one light and director and, and and Oh, I can't because there's no golden tales. Gordon house was the editor. But the lighting camera man was chap. Round faced. Anyway, we're there and what happened, the director went[…]
[…] to do and he wrote me a nice letter saying I'd worked at Shepperton for so many years and had left of my own accord. That's how I left Shepperton in 1968. As I said I had a 12 months contract but I never went to Italy because Paramount decided that musicals were very expensive and the last couple t[…]
[…]mall advertising, commercial documentary films. But they've all been not things basically, oh, they've been made for companies like Saab and caravans International, basically, documentary films. Oh, I made one for Shell, which is long film I again, went round the world to make a film called load on […]
[…] based in Manchester and World in Action was based in Golden Square, Soho. Where did you spend your time? JB […]
[…] Glynn Vernon. The Spastics Society. Yes. That, that won a Golden Reel or something. And... But it was important, because […]
[…] money. But that was quickly followed by 'Blackmail' at the Globe Theatre, starring Tallulah Bankhead. And that's where the beginning […]
[…] wear the silver wig when he was cross and the golden wig when he was happy! [Laughter]. Roy Fowler: You […]
[…] demonstrated in Harris’s work on Prudence and the Pill ( 1968), and a newspaper article on it which went through […]
