[…]was a big irony because there I was back in the middle of the film business again. [Laughter]Y es.So we moved in...The studios were beckoning?Yes, in 1968 we moved back to Elstree. And our sons went to Haberdashers and we sort of settled down, which [Inaudible 02:12] was in Elstree. And I sort, sett[…]
[…] one minute you're cold, one minute you can't get a job then suddenly I was taken on by Ward Thomas, then suddenly one day, I'd seen an ad. in Screen International that said, "Euston Films is looking for a production manager to run their company." And I knew Euston Films, it was the big company that[…]
[…]the clue in the eye of the White Horse at, you know, on the, where is it, on the Downs, of course it had gone, so that the whole point of finding the golden horse in the eye of the White Horse, you know, which made the clue. And fortunately the cameraman who was the only man who knew the answe[…]
[…]ears his name and was established in his honour52 Hilda Bayley (1888-1971) was an English film actress, her films included Home Sweet Home (1945) and Golden Arrow (1949) and did extensive things. we did a lot of tests, mostly make-up tests and one acting test with, with Matheson Lang and doing […]
[…]lywood and was put back to square one and had to spend seven years he had to get a job in the studios first to get a union ticket as soon as he got a golden ticket he only had to do a lonely job. All right. Yes well of course I can understand that in a way I was had many years before he got back to […]
[…]ion?Manny Yospa: We did occasionally, oh yes it's er - but I wasn't very lucky with locations! Because a lot of the crews were - there was a sort of 'golden circle'. And for all the big films you'd have locations in the South of France and the Bahamas - they always got that job! [Chuckles] I never g[…]
