[…]ll the way I’m afraid. It is boring isn’t it.AL Not really, no.GH A lot of the people I have been attached with, with Dickie both of my Academy awards have been because of Dickie on Chorus Line and Ghandi. I had a wonderful evening – he was responsible for that – I was attending at the G[…]
[…]w it. We never talked about it. Like we do today, for instance, if you take the directors who are now having salaries of half a million and more, and golden handshakes, and the workers are being screwed to nothing... well there is a resentment about that today, isn't there, but there was nothing lik[…]
[…]t into the Sunday Times I've got dates for those if you want them. I should have said also for your articles five for Venice, I wrote one for the art International. went out was very good photographs by Anne James was acted as my assistant on that. I think one of the best programmes was about Julia […]
[…]erence on 'Silver Nutmeg' at the studio at 4 o'clock on Wednesday." On Tuesday they'd say "No, it isn't in the studio on Wednesday, it's on Friday at Golden Square." It would never happen! Finally we would get to a meeting and Robert Clark would be there and he would say, "Excuse me," and go out, an[…]
[…]se we did. We had just started to go to film, my friends and I, at the outbreak of war, so I was going in the in the Blitz. And it was always sort of golden and wonderful to be in war. And I really hadn't a clue what I was getting into. So they put me down into the cutting room. And nobody would wor[…]
[…] immediately bring the conversation to The Elephant Will Never Forget. He'd say, "I just thought you'd like to know that a copy of it's being held in Moscow as a prime example of British documentary - I thought you'd like to know that," you know, and all this was going on. And um - he um - I never w[…]
[…], which is very popular in Japan. I'm told. We recorded it in Watford town Hall With a huge orchestra. It was recorded by Dutch Phillips, or Polygram International.TD: What year was that roughlyAlexander Faris: I don't remember dates. Mid 80s. I did a nice Series of Sullivan overtures with the Scott[…]
[…]because he was one of the Un-American lot, because his wife was, in fact, a communist. I mean, she was Ella Winter. She'd been a war correspondent in Moscow, and she was, she was a real American red, I mean, there's no question about it. And I worked at their Hampstead house, and I met Katherine Hep[…]
