[…]boy, who comes in, ‘Hier Ritter.. (indistinct). And er..(laughing) It’s just in the film! With er, Roy Balting.Interviewer – At Denham?Peter – No, at Highbury. Highbury was a sort-of converted church hall, and they – the Baltings were desperate to save money. They had no money on Paster Hall. They w[…]
[…]d this for a long time before for short, and we took over the worthy account in the rank funding of filmmaking at all six studios. Remember there was Highbury and Shepherds Bush there is denim and there was Pinewood there was bekins field. There a lot of studios in those days. We did look after the […]
The copyright of this recording and transcript is vested in the BECTU History Project. Doris Martin was interviewed by Sid Cole on 16 August 1988.1. Getting started in filmSC: Your parents didn't have any connection or did they with the film business?DM: No connection at all. My father had a small p[…]
[…] there were two of them were hanging on and one of them wanted to jump over and it will we will we were restraining him. So went and this was shot in Highbury studios, you know, in the main set. And, but it never ended up in the in the finished movie. And when I was chairman of the, of the editing g[…]
[…], all this kind of stuff is what I was involved in. Then in ‘74 my boss Paul Read left Kodak to become the lab director at Kays, Kays laboratories in Highbury, and six months later he said “I’d like you to come and join me as a technical manager. I need that sort of…”, so as a relatively mid-twenty-[…]
