[…]h him. I stayed here and worked on the sound of the film in London.SPEAKER: M1When that was cutting we were finishing it in London at RCA the old RCA Hammersmith facility.SPEAKER: M12Long since gone. Stanley was about to make another film here in London with Yul Brynner a comedy with your brain. And[…]
[…] have had, they would too have sat down by their radios in the evening and listened. So there was no excuse why we couldn't all very coherently hammer out some sort of coherent policy for programme making. Colin Moffat: These, these meetings were they attended by your fellow producers.Philip D[…]
[…]ll to wall commentaries that day in America.SPEAKER: M6Well no not necessarily no. I think there was I think the ones I do quite good and then Armand Hammer came along and he he he was a great art collector as you know and he. Had arranged for a collection of Mexican art to be taken around the count[…]
[…]tSpeaker 1 34:06 willing, because you see when you work, but creative people who are to achieve the best quality, and they're not using a hammer to hammer you to do this, they already want you to do your part. There was no pressure anywhere. The only pressure you put yourself against you[…]
[…]he camera with one hand keep a constant speed and pen untilPaddy Carey 32:09 virtually Yes. Well, I mean, being able to pan until the two hammers needed a good deal of embodied engagement.Unknown Speaker 32:22 But can you remember what you're learning?Paddy Carey 32:25 […]
[…]at. Even then, we didn't have any metal Richardson lives. And we were using by now again, we were using big arc lights, they had vanished to kill the hammer on the art glass, I don't know how they put in some kind of condenser or something. And, but I remember that the they were very uneven that the[…]
[…] five of them wanted me for the next show. Then Hammer films rang up and said they were thinking of making […]
[…]could do all sorts of prop jobs while we were shooting, it was a family, a sort of a family. The same sort of family in much later years was at Bray, Hammer. So we all learned our ground work. You could work on cameras too. Then you knew in later life why a camera man can't do this or would like it […]
[…]was that like then, as you were filming down at Bray, I believe, and not being a big fan of horror, what was that like, did you draw inspiration from Hammer?PS: No, I’d never seen horror films, or virtually not, so I wasn’t thinking of them, I was just treating it as a strange quirky film to be, or […]
[…]rected a few bits of shots. So I was working on that with him. Eventually, we started to make a sort of a French newsreel journal the gear and Robert hammer came in to edit that because they had to have somebody who speak French. But then of course after the fall of France, it all just disappeared.R[…]
