[…] lenses in those days so to change the shot size without moving the camera you had to unfasten the blimp open it up change the lenses in the way that Hollywood had been doing for 30 years but seemed conspicuously irrelevant in a television operation in which speed was of crucial importance. When you[…]
[…]olutely. So I did that during my freelance area. I also did - I can’t remember the dates now - a documentary for Jeremy when he went to Thames, about Hollywood, which again was a similar sort of thing called, Dowager in Hot Pants, it was called, about Hollywood. And then I, while I was in my hiatus […]
[…]nd sitting down which means bring it to a stop, not the cut, which they willingly did. And I thought this must be what it was like in the old days in Hollywood when they The editor was always kept fairly close at hand. And any any problems that could be dealt with almost immediately. But that's such[…]
[…]nd sitting down which means bring it to a stop, not the cut, which they willingly did. And I thought this must be what it was like in the old days in Hollywood when they The editor was always kept fairly close at hand. And any any problems that could be dealt with almost immediately. But that's such[…]
[…]ls stopped really worrying about the basic truth of the script. As long as it's wrapped up nicely. And then I think we come back to the stigmas of of Hollywood today. If it's wrapped up, it doesn't really matter. What it's saying is the most banal doesn't really matter. And he and he in America has […]
