[…]wasn’t too much business around it had been very, very good in the second half of the ‘60’s. I’m talking about feature films.Q: That was when half of Hollywood was shooting here wasn’t it.SAMUELSON: Yeah (yes) that’s right. And the very fact that the, we were the only really the only professional re[…]
[…]ame treatment, really, as the the starry people, so I couldn't complain. And it was interesting. It was interesting. And doing, going there, going to Hollywood, and making what was to their minds, a very low budget film. And it was, you know, we, I had to put together the cast and crew around it, an[…]
[…]p; Kent Houston 27:30 "Vertical Limit", yep. "Vertical Limit" was a great project for me because basically, it was a large Hollywood movie that was made in New Zealand, in my homeland, and it was produced by a New Zealander and directed by a New Zealander. So I ended up ba[…]
[…] did he? He made a film called 'Towering Inferno' in Hollywood which became quite a [???]... Peggy Gick: And he […]
[…] become a cinematographer. So , in 1938, I went to Hollywood. And I went ther e with a letter to […]
[…] he didn't let it go. AI: Let's talk about your Hollywood experience. Billy Williams: It's actually not really a Hollywoodexperience. […]
[…] for the Oscar and was able to go to 5 Hollywood. I was nominated for Women In Love,but I wasn't […]
[…]nk that would be good from wrong. And, and it didn't go anywhere in the world on TV. That was a BBC stipulation, but it did actually get shown at the Hollywood Oscars and won Best Documentary, which must have upset the CFO.I'm sorry, Sunday. Yes, yeah, that was my next step. So I buy this all this t[…]
