Search Results for: Interviewer: Sean Holmes. Camera: Andrew Dawson

[…]her than special occasions but which came in handy for sorting out the occasional seating mess-ups on advance-booked road shows or when VIP’s such as Sean Connery’s parents occasionally popped in to watch one of his films. After the show, Chic came up to the office - more at his insistence than our […]

Brian Pritchard (BP)  Motion Picture Consultant (Formerly Kodak, Filmatic, Humphries & Hendersons) Interviewer: Paul Frith (PF) Date 05/03/2019 Length 02:17:14PF: This is an interview with Brian Pritchard. Thank you for taking part in the interview today. So just to star[…]

Alan Masson (AM)Former Kodak Director of Engineering, HollywoodInterviews: Carolyn Rickards (CR) and Paul Frith (PF)Date: 27/10/2017Length: 01:36:00                                     Transcript edited by[…]

[…] I think being quite generous about there were always Good Old Days or whatever, the transition from what I would call the Gus Macdonald years to the Andrew Flanagan years, that was the hardest thing that I had to put up with politically and I remember - and I don't know whether other people have me[…]

Martin Spence  0:00  Okay, this is a British Entertainment History Project interview with Penny Woolcock. It's the 24th of April 2019. We're at Penny's home in north London.Camera's being operated by Nick Gilbey. Interviewer is Martin Spence. And the interview is copyright of the British E[…]

 Interviewed by Andrew Dawson, University of Greenwich, 24 August 2010  Roy, before we actually get started on the interview can you give me your date of birth please?  It was the tenth of March 1927.  Okay. You’re one of the founders of The ACT BECTU History Proje[…]

Tape operator  0:06  Yeah, I think that's good. That's good.Derek Threadgall  0:07  Okay. The copyright of this recording is vested in the British entertainment history project.Okay, good thing. Today is Monday 20th of June 2016. The interviewee is Howard Lanning, president of th[…]

[…]d I made a big sequence about waiting for Rajesh; the factthat he was never there. In the end I had to make a sequence of this, shooting us in all theseante rooms and so on. So the film was fun in the end but it was quite hard to give it anysubstance. You know.47’56”SRThat seems to show to me a coup[…]