Ted Candy

[…]was going to eventually be a photographer, I worked in the dark rooms, and I learned a lot about photography. It intrigued me, and I liked it. And working for a newspaper, you were independent, you could have a ball, and they were good crowd of peopleRoy Fowler  2:48  that was a local news[…]

E

[…] MGM British, and for more cut-price producers such as George King. During the war he joined the RAF Film Unit, […]

Jonathan Balcon

[…]e war. He was also a Knight First Class of the Order of St. Olaf, Norway, which he and Charlie Frend acquired I think because of the "Return of the Vikings", I'm not sure about that. He was also a Chevallier Des Arts et Des Lettres, France and curiously enough, my sister was in Paris the day he died[…]

Joan Kemp-Welch

[…]d and she was very busy writing a book about her life. But she ran this dramatic society to which I belonged and I remember, we did a play called The Kingdom of God in which I played a prostitute - it was by Anne Hall] and afterwards, done at The Westminster Theatre - which was a marvellous play and[…]

L

[…] of government co-operation. Through Sir Robert Vansittart. And of course King George VI he was very keen on what went […]

Joan Kemp

[…] a manicurist, and when I got in to see - King Vidor it was, wasn't it? Roy Fowler: Ah hmm. […]

Pete Murray

[…]bsp; It was presented by?PETE MURRAY:  The Queen Mother, yes.  She came to see the play and she was very nice. (Time 11:58)   I was shaking like a leaf.  I don’t know why, but I was.  MIKE DICK:  Tell me a bit about how you first got into films then. PETE MURRAY:&n[…]

Harry Fowler

[…]granny and grandfather in the bed at night, which OK when you’re one, two, three, four or five, but if it had to happen now, I think I’d go into a working mans’ home or something. [This may be a reference to a hostel or workhouse. DS]. In retrospect, not very pleasant.McG: What did your grandmother […]

E M (Michael) Smedley Aston

[…]sp;You bet you! [Laughs.]Roy Fowler: I mean that was one of the problems at that time was it not - that one had to be middle class just to be working.E.M. Smedley-Aston: Oh sure, yes. But the thing was of course that 25 shillings in those days [laughs] was not impossible. Because I would s[…]

L P (Bill) Williams

[…]architecture and in 1928 I became an associate of the Royal Institute of British Architects. Uh, during the time I was a student, I happened to be walking to the Tube one day with a friend of my father's, another doctor, and he asked me what I thought I would do when I'd qualified, and I said I didn[…]
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