[…]bsp;Andy Worker: Yeah, hmm. Roy Fowler: Yes. Looking forward a few years, I don't want to jump ahead too much, but was that what continued until John Davis took over? Andy Worker: Well I don't really know that he had a great deal to do with the day-to-day running of the thing. Roy Fow[…]
[…]otel. And we could just about afford it. I would get up at six in the morning and go across to the theatre and queue up for seats returns. And we saw John Gielgud in King Lear. I remember queuing up like mad and seeing that and then we also saw Julius Caesar. And that season where Peggy Ashcroft was[…]
[…] it was a terrible film it’s not just a photographed play but it is a very badly photographed play. A wealth of talent: the sets by Oliver Messel and John Byron, not John Box I was going to say John Box.Rodney Giesler:Who was the cameraman?Roy Fowler:Freddy Young primarily. A lot of peopl[…]
[…]ode. It just came down some trees. And of course the word got out very quickly and there were hundreds of people running. It reminded me a when I saw John Bowman's film about his childhood Hope and Glory Hope and Glory. Very similar very not particularly because it was similar for him or me a simila[…]
[…] and foremost, where were you born and when they asRobert Angel 0:47 well I was born on the third of December 1921 in London in St. John's Wood band railroad and has now bombed schooling. schooling is the age of two and we're the family moved out to Gerrards cross in backs. And at […]
[…]at the bottom to wig it up. 0:13:41.3 MIKE: And how many would be in the team? 0:13:44.5 JOY: Umm, let me think. There was one... There was John Brown, John Blundle, there was me and then later on there was, somebody else joined us. There was four model makers. There was two people, two wo[…]
[…] announcement.Unknown Speaker 0:06 The copyright of this recording is vested in the ACTT History Project.Unknown Speaker 0:13 John Sherman, documentary film producer, filmmaker, interviewer, Alan Lawson, on the 26thUnknown Speaker 0:23 of October,Unknown Speaker &[…]
[…] 61 as a boom operator's assistant at the princely sum of seven pounds a week. And I started on a film called "Waltz of the Toreadors". The mixer was John Mitchell. The boom operator was is Tony Cripps, and the sound camera operator was Roy Charman. So, I couldn't believe it. You know, I was on actu[…]
[…]It always rains on Sunday. I was the simplest thing. Actually, It always rains on Sunday. There was a case where, where the men on the run. Played by John McCallum, who was on the run from jail, he grabs of a bicycle somewhere in the road, and he pedals away at night, because the whole picture takes[…]
