[…]job thenwith... oh gawd. I think they were called British... oh, here we are, I’ve probably writtenit out here. ’51... British Industrial Films. John Curtois [ph]. And they were makingactually filmstrips, but of course as I’d started off at art school I was sort of capable offilmstrips as well […]
[…]peration crossbow. And they follow the boys thing. Anyway, the editor on this film called The Alphabet murders, which starred Tony Randall, edited by John Victor Smith. And John said, Would you like to come work with me? On help, he went to edit help at Twickenham film studios. I said yes, no, I'd l[…]
[…] terrible outbursts. It was a very rich woman that liked to be recorded. Don't you remember?Margaret Thompson 15:42 I remember, Amy Johnson.Frances Cockburn 15:45 Was I don't remember her.Margaret Thompson 15:46 I think well, it was one of those women flyers[…]
[…]inciple was Humphrey Jennings, an ex Cambridge intellectual, who was obsessed with and had an encyclopaedic knowledge of the Industrial Revolution is John's Seroot Kay?. But the man if you come under the spell of people, as everybody does, and when I fell under the spell was, I was assigned to a man[…]
[…]pence. Hate me an hour.Unknown Speaker 55:56 Yeah, andUnknown Speaker 55:59 then you went, I know George. George Goodman, no. John Francis. John Francis was, was the foreman, the day shift foreman, yeah. John Francis, two and seven pence hate me per hour per hour for a 45 hou[…]
[…]he did anything which came along, he wasn't bad. Then after that I went on to Arsenal Murder Mystery with Thorold Dickinson and Desmond Dickinson and John Dennis was the sound recordist and Percy Dayton the boom man. Kelly was the production manager and a chap called Dixon was the assistant director[…]
[…] film I did with her was called Stella directed by John Erman who has no sense of humour and is […]
[…] Arsenal Murder Mystery with Thorold Dickinson and Desmond Dickinson and John D ennis was the sound recordist and Percy Dayton […]
[…]n't have enough so we had there a whole lot me, but they were all made on the budget. And then I thought we better have a carpet. I got in touch with john lewis or something like that to come up and said, You know, I told him I said, Look, we want to carpet, that gave me a car. So we got a telephone[…]
[…]velous place to start, because there were so many of the old British documentary people there. There was Arthur etton, Frank Sainsbury, Ruby Grayson, John Taylor, Donald Taylor was one of the producers. Shaw Alex Shaw, who else was there? Well, George Noel was one of the camera man and Harry Rick No[…]
