Stephen Peet

[…] using this box camera and that's sort of a date for that bit of chance. [00:05:03] And then, at school, when I was about 14, the history Master John Russell, who was a keen photographer suggested I should learn developing and printing in the darkroom and I got immediately delighted with this a[…]

Adam Dawson

[…]rlfriend, the foir Rosamund. out of Godstow and eventually she gets banished to another area of Godstow.  We had people.  I think John Wood or somebody.  A fellow called Wensel was there.  We made the film on 16mm.  Some people had cameras. We made t[…]

Roger Davis

[…]ll portable generator running all this. You have to synchronise the 50 cycles of the regenerated so life got very complicated. Yes, lunchtime. That's John Jevons. That's one of the names I remember. He was a senior to me, another another engineer. He was a cameraman. He was the links engineer. He wa[…]

Kent Houston

[…]asia, and he was also involved in a lot of the development of different sound techniques for recording in British studios. He worked with people like John Cox and John Aldred. The interesting thing about my father was that he was an American citizen, and when the Germans invaded Poland, he felt terr[…]

Dicky Leeman

[…] here [looks through notes].Rodney Giesler: Yes, Stardust.Dicky Leeman: That's it, Stardust. There was Ben Lyon, Lupe Velez, who had her then husband Johnny Weissmuller I think it was, with her - and Jean - what was the English actress?Rodney Giesler: Jean Colin.Dicky Leeman: Jean Colin, yes.Rodney […]

Emmanuel (Manny) Yospa

[…]ure film I think was Halfway House - it was supposed to be made at Ealing but they didn't have any room so they pushed it over to us. That was Mervyn Johns and his daughter Glynis Johns, and she was only sixteen at the time [laughs] - got to get them all when they're young! And er - it was a sort of[…]
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