[…] did two films there and er...then I had to er...filming was...coming to the close and er...I heard that they wanted a Loading Boy at er Sound City...John Stafford Productions. So I rang up, and the Cameraman's name was Jimmy Wilson. So, I rang Mr Wilson up and I said...so he said, "Yes! Ok, you can[…]
[…] I earlier tried to get into the BBC. But of course they were taking everybody coming back from the forces, bit like the film industry, you know, the John Mitchell's all coming back from there. Anyway, the I've took the liberty of phoning the staff, establishment people, I think the Langham and I to[…]
[…]gotten about now. It was, I loved it very much. And then to my absolute astonishment, Frank Sainsbury rang me from Realist. Now I knew Frank and John slightly when, when I'd been a librarian at GBI, and they'd come to look for material. And I'd always sort of, and I'd had a drink with them ther[…]
Frank Littlejohn Transcript The copyright of this recording is vested in the ACTT History Project, Frank Littlejohn, one time managing director, Technicolor England. Interviewer BernardHappe[…]
[…]e them in colour because there is a big market gin travellogues. He thought this was rather good idea and he teamed up in Italy with this chap called John Hanau and they jointly decided to make three test films in Italy. One was about zoos, one was about Rome called Rome the Eternal City and the thi[…]
[…]: Riverside, oh yes that was just the one picture, I never went back there again.SC: So you spent some time at Shepperton. RP: Yes. Then I did a John Argyle picture Happy Days Are Here Again, with the Houston sisters [3 sisters, Renée, Billy, Shirley.SC: Oh yes Renée and Billy, RP: Re[…]
John Daly - Cinematographer. Born in 1955 in London England Awards BAFTA "Persuasion" BAFTA "Far from Madding Crowd" BAFTA […]
[…] something. Anyway we were all, he was stage manager and John Hart Dyke and I were the two ASMs and […]
[…]et the feel of what kind of music they want. And whether the scene is framed well. And on this particular film, they they chose a track by the future John Galwayfrom the feature picnic from Hanging Rock, lovely piece, and very evocative of the scene. The scariest what can happen to the ball. And the[…]
