[…]le: When I was there, yesCarmen Dillon: Yes. It's funny, They're back again working there now...Sidney Cole: Oh yes.Carmen Dillon: A friend of mind - John Box - is...Sidney Cole: Oh yes, a very fine art director.Carmen Dillon: ...yes, and now he's working again in a small - on a small film. He rings[…]
[…] bought them. And I would you like to come and work here. So I thought about that. And he said, we're going to Mr. Maxwell in Glasgow next. And I saw John Maxwell and he said, go ahead and I went on to start work at Elstree Studios. So on the scenario department. Linda Wood 4:31Do you hav[…]
[…]ere's a film it's interesting because it's the director's name I never heard are called over the garden wall.That you were directed by someone called john demery.Unknown Speaker  36:44  That's right.Unknown Speaker  36:46  Never heard of him again.Unknown Speaker  36:49 &nbs[…]
[…]I: Right! Totally informal. Relaxed. Adam Fullarton, when did you start with STV? R: I think I started in 1962. I: Right. This interviewer, John Frame, and, first of all, Adam, before you came to STV, what was your, kind of, background before then? R: Well, I was in the Merchant Navy […]
[…]ul night to the Café De Paris when that was bombed. There were a lot of casualties – I think about 60 people were killed – including Ken ‘Snake Hips’ Johnson, who was the band leader, and quite a few of his band. It was the most horrendous experience, but these things rather fade in one’s memory.RL:[…]
NB This is a resume only.John Box (JB)Production DesignerBECTU No.463Interviewer: Rodney Gielsler (RG)Date 09/12/19993 Tapes Side 100:00:00 – 00:09:30 Introductions; born 1920 in England but moved to Ceylon; father couldn’t get a decent job after WWI so he worked in a number of remote areas of […]
[…] used to sit night after night was a really nice man was an art director at Gainsborough. Now the appalling thing is that his name escapes me, it was John, and I cannot at this moment remember it. But he was the man who virtually invented independent frame at Pinewood; do you know who I mean? I wrot[…]
[…]ose days. Yes. And you said the carbons used one thing. This is not in my book. The carbons wouldn't last the real and the positive. We used to be of john Clampett and tappers along with the screwdriver and on feeding it at the same time. But when it came to the negative, which was pointing upwards,[…]
[…]assistant for other cameramen. Other cameramen I worked for—I remember working for—were James Ritchie, later a producer at the British Rail Unit, and John Reed [UNVERIFIED], John R.F. Stewart, and Bill Pollard. It was with Bill Pollard I remember having possibly my most enjoyable locations when we m[…]
