[…]good learning curve because I had to work out how to make these cuts and not affect the sound because it not being in sync any more and I got to know John Trevelyan very wellMARTIN SHEFFIELD: He was a character, wasn’t he?NORNAM J WARREN: Yes I liked John. I would say to this day he is the best cens[…]
[…]ure film I think was Halfway House - it was supposed to be made at Ealing but they didn't have any room so they pushed it over to us. That was Mervyn Johns and his daughter Glynis Johns, and she was only sixteen at the time [laughs] - got to get them all when they're young! And er - it was a sort of[…]
[…]e very dirty tricks. Rank did me some very dirty tricks.Roy Fowler: As a man, as an individual?Vernon Sewell: Nasty man!Roy Fowler: Or John Davis? Who was the nasty one then?Vernon Sewell: Well, both of them! But I knew Rank in the early days of Odeon. Anyway, he was making relig[…]
[…]Anybody was trying to get into films and as I say this . . . . . sketch artist . . . . . . . . other Art Directors who were also then . . . There was John Meade, David Rawnsley, do you know the name and Duncan Sullivan.R. F. Now may I ask you how you actually set about getting that job and how you g[…]
[…]d I remember we did a scene, a crane shot with the 'Dad's Army' chap, the Scots bloke, what was his name?Additional speaker (unidentified): Oh was it John?Leonard Harris: Hmm?Alan Lawson: Yes.Leonard Harris: We were on this crane and he was playing John...Alan Lawson: John Laurie!Leonard Harris: Joh[…]
[…]ir side, oh yes, it did. Down at Pinewood was the Studio Manager and Murray, he didn’t want to know anything about the rest of them, except for John Hood. Now you can pick up the story of that from John Hood if you would.Q Yes, we hav[…]
[…]aboard an aircraft carrier as one of our more ambitious productions and absolutely splendid in the matter of model work. And it's Todd Lesley, banks, John Clements and Jane Baxter. But who directed that? I tried it wasn't awkward question,Unknown Speaker 10:43 fantastic. No, I do think i[…]
[…]t by and nothing came of that so I saidyou better write to him again. So she did and to cut a long story short aletter came saying would I go and see John Corfield at Golden Square, whichwas British National headquarters, I think it's now where the Granadabuilding is. I didn't know, what for so one […]
[…]hes, and they took him over there for two months, a long time. And the day they went out to Cairo, an American company came into Shepherd's Bush (ed. John Stuart Blackton) he was reckoned to be one of the top next to Griffith. Anyway, they were going to shoot a picture called The Gypsy Cavalier[…]
