[…]ose days. Yes. And you said the carbons used one thing. This is not in my book. The carbons wouldn't last the real and the positive. We used to be of john Clampett and tappers along with the screwdriver and on feeding it at the same time. But when it came to the negative, which was pointing upwards,[…]
[…]assistant for other cameramen. Other cameramen I worked for—I remember working for—were James Ritchie, later a producer at the British Rail Unit, and John Reed [UNVERIFIED], John R.F. Stewart, and Bill Pollard. It was with Bill Pollard I remember having possibly my most enjoyable locations when we m[…]
[…]urse when you went out on assignment you were actually mixing with people like. JOHN GILMORE Jimmy Kimmel. Paul. And. All those people from the rival newsgroup. And&[…]
[…]ust used as props and dressing rooms, and offices. And Walter was turning on the camera, George Pearson was producing, and the title of the film was 'John Halifax, Gentleman'.Ralph Bond: Yes.Alf Tunwell: I was in the dark room, just developing the negative, in the same old fashioned way, rocking dis[…]
[…]or Kays in Finsbury Park.Roy Fowler: Indeed yes. How did the job with the GPO Film Unit come about?Norman Fisher: Once again I had an introduction to John Grierson through Sir Gordon Craig, again, and I was taken on as assistant sound, incidentally, the studio manager then at Blackheath was Ralph Bo[…]
