[…]voluntary offers to proofread this and/or other interviews. If you want to help, please contact BEHP Secretary, sue.malden@btinternet.com. John Luton 0:00 This is British Entertainment History Project. Interview with Ernest Marsh on the 31st of July, 2023 and Ernie, […]
[…] . [20:50 mins] Expenses and fiddling; about Castleton-Knight; the Coronation; John Davis; about editors Roy Drew and John O’Kelly; sound […]
[…]ision was bought when I left school, my brother being younger than me, and the first thing I remember seeing peculiarly was the hot chestnut man with Johnny Morris, with whom I worked a few years later. Nick Gilbey 2:51 Right? So you went off to London, and again, you, I s[…]
[…]g, then they say, Well, no, there's no lift. You've got to get up there. You've got to carry it up the stairs, for which we used to charge tension in John load, which was a fiddle, but it was very good. I mean, you earned it, believe me, you earned it. There was nothing given. You did earn it too. A[…]
[…]ode. It just came down some trees. And of course the word got out very quickly and there were hundreds of people running. It reminded me a when I saw John Bowman's film about his childhood Hope and Glory Hope and Glory. Very similar very not particularly because it was similar for him or me a simila[…]
[…]ent History Project. The name of the interviewee is Madeline Smith; film, television and theatre actress and radio. The interviewer is Mike Dick, and John Luton is on camera. The interview number is seven two two and the date is the 13th of March 2024. Okay, Maddy, can we say who you are and what yo[…]
[…]ording is vested in the British entertainment history project. The name of the interviewee is Ronald grant. The interviewer is Mike dick, on cameras, John Luton. The interview number is eight to nine. The date is the 24th of April 2023. And we're filming at the cinema Museum in Kensington, London, w[…]
