[…]when we went over there on a picture called - oh that was another interesting picture we worked on called How I Won the War with Michael Crawford and John Lennon, he was in that, and Dick er...Bob Allen: Dick Lester?Fred Tomlin: Dick Lester directed it, yeah. And so we went down to Almeria again and[…]
[…]e now, but there were three of us to start off with anyway. Eventually of course that all grew with lots of other people but we all know. People like John Wilcox came, Denys Coop was with us, Bunny Frankie[?] was with us. Oh there were lots and lots more on the camera side. But anyway that went on a[…]
[…]ctice, and they would thereby have finished up with an advertising film, publicity film. If they had wanted to do that, they would never have gone to John Grearson and said, will you write a report on how we might use the documentary film. Because they'd seen what work he was doing for the Empire Ma[…]
[…]ck.02.25Fan of films as boy.02.50Carlton Hill Studios. Clapper Boy and Focus Puller. Sacked after six months for wrongly reloading Debrie camera.04.00John Paddy Carstairs gets him job as Third Assistant at Ealing. ‘Pink String and Sealing Wax’, ‘The Captive Heart’.05.00National Service. Stationed in[…]
[…]  was the head [of publicity], he always, he always escorted Margaret Lockwood to premiere, Theo. And there were two, these two other boys, John, I think, one was called John McFadden, and one was called Paddy Fleming. And they were film starlet escorts. And I met this guy, and through gen[…]
[…]le: When I was there, yesCarmen Dillon: Yes. It's funny, They're back again working there now...Sidney Cole: Oh yes.Carmen Dillon: A friend of mind - John Box - is...Sidney Cole: Oh yes, a very fine art director.Carmen Dillon: ...yes, and now he's working again in a small - on a small film. He rings[…]
