[…]er. And he had been at the BBC before, he was being rein.., reinstated, re, re-established. He was a, a technical operator before the War, along with Johnnie Stewart who, who later was also of course, he went in...Mm.He was in radio again but...Yes.When he came back but he of course, joined televisi[…]
[…]y interesting, because we met all sorts of people, apart from the people that I've pinpointed. I attacked all the people from England, which included John Myers, who was Korda's publicity manager, and Imperiali[?] Katie Boyle's father, Nigel Tangye, who was aviation advisor on the film that Korda wa[…]
[…],Roy Fowler 14:55 and those, is there a first fool that you remember seeing, Oh,Unknown Speaker 14:59 singing fool. Huh, yes, Johnson,Unknown Speaker 15:08 no gel on that one. Okay,Roy Fowler 15:13 right? Well, then school, third, no matric, but then w[…]
[…]she said “Are you standing up?” “Yes” “Well”, she said “listen, they’re going to pay you ten pounds a day. It’s only five days and it’s called Salute John Citizen. I think it was Edward Rigby and that’s Marcel Varnel I’m sure.McG: No, that’s Maurice Elvey.HF: That was Maurice Elvey, yeah. There were[…]
[…]ing, but with great simplicity and actually work faster. You haven't got a total answer lunch, see, and for instance, you said the Chief electrician, John Cameron. I want to get on this wall. Long shadows out further back cover the whole wall. Then flag off there. That's it. Now, Chief electrician w[…]
[…]t was later. He came from Marconi.HARRY MILLER: Atkins came from the GPO, and he built the telephone exchange at the studios at the time. John Reynders who was the musical director at the time he used to be the conductor who played and orchestrated all the music for a cinema against the […]
[…] it was a terrible film it’s not just a photographed play but it is a very badly photographed play. A wealth of talent: the sets by Oliver Messel and John Byron, not John Box I was going to say John Box.Rodney Giesler:Who was the cameraman?Roy Fowler:Freddy Young primarily. A lot of peopl[…]
[…]job thenwith... oh gawd. I think they were called British... oh, here we are, I’ve probably writtenit out here. ’51... British Industrial Films. John Curtois [ph]. And they were makingactually filmstrips, but of course as I’d started off at art school I was sort of capable offilmstrips as well […]
