[…]ing, but with great simplicity and actually work faster. You haven't got a total answer lunch, see, and for instance, you said the Chief electrician, John Cameron. I want to get on this wall. Long shadows out further back cover the whole wall. Then flag off there. That's it. Now, Chief electrician w[…]
[…]t was later. He came from Marconi.HARRY MILLER: Atkins came from the GPO, and he built the telephone exchange at the studios at the time. John Reynders who was the musical director at the time he used to be the conductor who played and orchestrated all the music for a cinema against the […]
[…]she said “Are you standing up?” “Yes” “Well”, she said “listen, they’re going to pay you ten pounds a day. It’s only five days and it’s called Salute John Citizen. I think it was Edward Rigby and that’s Marcel Varnel I’m sure.McG: No, that’s Maurice Elvey.HF: That was Maurice Elvey, yeah. There were[…]
[…] it was a terrible film it’s not just a photographed play but it is a very badly photographed play. A wealth of talent: the sets by Oliver Messel and John Byron, not John Box I was going to say John Box.Rodney Giesler:Who was the cameraman?Roy Fowler:Freddy Young primarily. A lot of peopl[…]
[…]job thenwith... oh gawd. I think they were called British... oh, here we are, I’ve probably writtenit out here. ’51... British Industrial Films. John Curtois [ph]. And they were makingactually filmstrips, but of course as I’d started off at art school I was sort of capable offilmstrips as well […]
[…]ver here. Mm, I don’t know how many but of course, they were short films in those days little, little tiny ones, you know. But he had an actor called John Bunny and Flora Finch also he made comedieswith them. But this is really going back to 1910/11/12 sort of thing. Anyway mm...Let’s see. Then he w[…]
[…] and foremost, where were you born and when they asRobert Angel 0:47 well I was born on the third of December 1921 in London in St. John's Wood band railroad and has now bombed schooling. schooling is the age of two and we're the family moved out to Gerrards cross in backs. And at […]
[…]in Sequence was perhaps a forerunner of what was to come later.Norman Swallow: And you still kept that view because I was thinking when you mentioned John Ford, the Channel 4 thing you did from the National Film School.Lindsay Anderson: That's right, Clementine. Clementine was the film which way bac[…]
