[…]in Sequence was perhaps a forerunner of what was to come later.Norman Swallow: And you still kept that view because I was thinking when you mentioned John Ford, the Channel 4 thing you did from the National Film School.Lindsay Anderson: That's right, Clementine. Clementine was the film which way bac[…]
[…]s recording is vested in the ACTT History Project, Charles Potter administrator, British Transport films,Unknown Speaker  0:30  Interviewer John legardUnknown Speaker  0:33  recorded on the sixth of June 1989Speaker 2  0:38  in Charles potters home at Godalming side one[…]
[…]d to do some second unit. Things I went on to location. There was a picture called they made me a fugitive, Trevor Howard was in. I went to Devon and john winbot was the operator I think, no, he was gonna focus on I was the loader. And we got snowed in and Tavistock. It was that awful winter 47. And[…]
[…]rough the positive bath to increase the contrast, which worked very well in fact! And as we went on somehow we got introduced to a man called Hewlett Johnson, who was called 'The Red Dean'.Alan Lawson: Yes, yes.Cyril Pennington-Richards: And he was a communist, very pro-Russian, and he was[…]
[…]g, then they say, Well, no, there's no lift. You've got to get up there. You've got to carry it up the stairs, for which we used to charge tension in John load, which was a fiddle, but it was very good. I mean, you earned it, believe me, you earned it. There was nothing given. You did earn it too. A[…]
[…] was one Miss Botting who became in due course Antonia White ‘Frost in May’ no less [LAUGHTER]   And then Linton House, London and St. John's, Hurstpierpoint. Alan Lawson  01:24Now did you get any special schooling at all or training for later life? Er you know before y[…]
[…]50s. Yes. And when I got back I told Dennis how frustrated I was from not being able to get a job in the industry. I mean I'd done a bit of work with John. I can't remember his name now who was of sound record was actually working as a cameraman then. We did a film for children down the East End but[…]
[…]bsp;Andy Worker: Yeah, hmm. Roy Fowler: Yes. Looking forward a few years, I don't want to jump ahead too much, but was that what continued until John Davis took over? Andy Worker: Well I don't really know that he had a great deal to do with the day-to-day running of the thing. Roy Fow[…]
[…]peration crossbow. And they follow the boys thing. Anyway, the editor on this film called The Alphabet murders, which starred Tony Randall, edited by John Victor Smith. And John said, Would you like to come work with me? On help, he went to edit help at Twickenham film studios. I said yes, no, I'd l[…]
