Search Results for: John Ralph

[…] kept that view because I was thinking when you mentioned John Ford, the Channel 4 thing you did from the […]

[…]s recording is vested in the ACTT History Project, Charles Potter administrator, British Transport films,Unknown Speaker  0:30  Interviewer John legardUnknown Speaker  0:33  recorded on the sixth of June 1989Speaker 2  0:38  in Charles potters home at Godalming side one[…]

[…]d to do some second unit. Things I went on to location. There was a picture called they made me a fugitive, Trevor Howard was in. I went to Devon and john winbot was the operator I think, no, he was gonna focus on I was the loader. And we got snowed in and Tavistock. It was that awful winter 47. And[…]

[…]rough the positive bath to increase the contrast, which worked very well in fact! And as we went on somehow we got introduced to a man called Hewlett Johnson, who was called 'The Red Dean'.Alan Lawson: Yes, yes.Cyril Pennington-Richards: And he was a communist, very pro-Russian, and he was[…]

[…] was one Miss Botting who became in due course Antonia White ‘Frost in May’ no less [LAUGHTER]   And then Linton House, London and St. John's, Hurstpierpoint. Alan Lawson  01:24Now did you get any special schooling at all or training for later life? Er you know before y[…]

[…] sense. I mean I remember we had a man called John Cooper who was an art director and we were […]

[…] Highbury Studios in the mid 1940s, as production supervisor under John Croydon. There he oversaw various ‘second features’ (for example, […]

[…]50s. Yes. And when I got back I told Dennis how frustrated I was from not being able to get a job in the industry. I mean I'd done a bit of work with John. I can't remember his name now who was of sound record was actually working as a cameraman then. We did a film for children down the East End but[…]

[…]bsp;Andy Worker: Yeah, hmm. Roy Fowler: Yes. Looking forward a few years, I don't want to jump ahead too much, but was that what continued until John Davis took over? Andy Worker: Well I don't really know that he had a great deal to do with the day-to-day running of the thing. Roy Fow[…]

[…]g, then they say, Well, no, there's no lift. You've got to get up there. You've got to carry it up the stairs, for which we used to charge tension in John load, which was a fiddle, but it was very good. I mean, you earned it, believe me, you earned it. There was nothing given. You did earn it too. A[…]