[…]in Sequence was perhaps a forerunner of what was to come later.Norman Swallow: And you still kept that view because I was thinking when you mentioned John Ford, the Channel 4 thing you did from the National Film School.Lindsay Anderson: That's right, Clementine. Clementine was the film which way bac[…]
[…] kept that view because I was thinking when you mentioned John Ford, the Channel 4 thing you did from the […]
[…]s recording is vested in the ACTT History Project, Charles Potter administrator, British Transport films,Unknown Speaker 0:30 Interviewer John legardUnknown Speaker 0:33 recorded on the sixth of June 1989Speaker 2 0:38 in Charles potters home at Godalming side one[…]
[…]d to do some second unit. Things I went on to location. There was a picture called they made me a fugitive, Trevor Howard was in. I went to Devon and john winbot was the operator I think, no, he was gonna focus on I was the loader. And we got snowed in and Tavistock. It was that awful winter 47. And[…]
[…]rough the positive bath to increase the contrast, which worked very well in fact! And as we went on somehow we got introduced to a man called Hewlett Johnson, who was called 'The Red Dean'.Alan Lawson: Yes, yes.Cyril Pennington-Richards: And he was a communist, very pro-Russian, and he was[…]
[…] was one Miss Botting who became in due course Antonia White ‘Frost in May’ no less [LAUGHTER] And then Linton House, London and St. John's, Hurstpierpoint. Alan Lawson 01:24Now did you get any special schooling at all or training for later life? Er you know before y[…]
[…] sense. I mean I remember we had a man called John Cooper who was an art director and we were […]
[…] Highbury Studios in the mid 1940s, as production supervisor under John Croydon. There he oversaw various ‘second features’ (for example, […]
[…]50s. Yes. And when I got back I told Dennis how frustrated I was from not being able to get a job in the industry. I mean I'd done a bit of work with John. I can't remember his name now who was of sound record was actually working as a cameraman then. We did a film for children down the East End but[…]
[…]bsp;Andy Worker: Yeah, hmm. Roy Fowler: Yes. Looking forward a few years, I don't want to jump ahead too much, but was that what continued until John Davis took over? Andy Worker: Well I don't really know that he had a great deal to do with the day-to-day running of the thing. Roy Fow[…]
