[…]to a very good dancing school to begin with.LW: How old were you when you started?WT: Three. And the rehearsal pianist, accompanist there, was Glynis Johns mother, and I think it was she who suggested that I should go in to do some special kind of performance at the Albert Hall, and I was 3 and a ha[…]
[…]zod 36:17 yes, it was. I met them most of them initially at that at that studio, I think and such, so those are mentioned and people like john Taylor. So um, they were they were some of them were running their own companies outside or doing things like working for what's it called? reali[…]
[…] I didn't get it. I went to Logie Baird's place, John Logie Baird's place, to try to get in there." […]
[…]e picture to another. So, you could be there days on a Vincent Korda picture, The Holly and The Ivy or whatever; and rush across to Moulin Rouge with John Huston directing.DB: The Kordas were obviously very strong, ‘cos Alex owned the place or at least owned the company. Tell me a bit about Vincent […]
[…]in, he was very strict in those days, was Dave Robson! He said, "How about this job?" So I said, "Ah, I didn't get it. I went to Logie Baird's place, John Logie Baird's place, to try to get in there." He said, "How did you get on?" I said, "I didn't, I didn't get the job." He said, "Well, what's hol[…]
[…] could impersonate that American guy, you know he sounds like he’s got something shoved up his arse. You know the one I mean? Anyway, old John who worked on the fish, dropped this platter of chips on the floor and it was all sawdust on the floor in those days. They spent hours to p[…]
[…] which was thestory of the Mollisons, and I remember Jim Newton was Jim Mollison and Anna Neagle was Amy Johnson as it &[…]
