[…]n, we know they had separate rooms there, and he used to say “How many times does he come and tap on [the door?]”, and all this, and did he wear long johns, it was a hideous thing, anyway she got rid of him. That was Jack Cox, he had a very dry sense of humour, nothing phased him.[Side 3, 40 mins]RF[…]
[…]us jobs as an assistant director I worked with her but Wilcox and Anna Neagle. On a filmmaker Denham cord they flew alone, which was the story of Amy Johnson, the great aviator and Jim Mollison, who she married. Robert Newton played the part there. There are a lot of Russians on it because Robert Ne[…]
[…]us jobs as an assistant director I worked with her but Wilcox and Anna Neagle. On a filmmaker Denham cord they flew alone, which was the story of Amy Johnson, the great aviator and Jim Mollison, who she married. Robert Newton played the part there. There are a lot of Russians on it because Robert Ne[…]
[…]. And I applied to the BBC and it shot through very quickly. It was how lucky I suddenly got this invitation from one called Gertrude Leonard and met John O Bride? not at the other end and these suit because they've been working for 4 pounds 10 a week. at the Museum of costume, I was a sort of a lan[…]
[…] nodine Pepin was the mother of my wife, Judas, although that didn't have many years later. In fact, the Bedouins games of rugby to give a concert in Johnson is all Marvels programme which they played, observed beautifully. I remember the programme no one can hear at least I can come here to my memo[…]
[…]m...I learnt all these things, and I found it so interesting. Then, after that we made a big film, which was 'The Burgomaster of Stilemonde' with Sir John Martin-Harvey.Sidney Cole: Oh yes!Tilly Day: Of course I was thrilled to be on a film with Sir John Martin-Harvey! And in such close co[…]
[…]er. And he had been at the BBC before, he was being rein.., reinstated, re, re-established. He was a, a technical operator before the War, along with Johnnie Stewart who, who later was also of course, he went in...Mm.He was in radio again but...Yes.When he came back but he of course, joined televisi[…]
[…]Because I like to talk about my family background from that. Because it has a bearing on what happens. In fact I'll start with what happened.In 1965. Johnny Speight and I – Johnny Speight the author, well established had been writing a very successful series for commercial television, called the Art[…]
[…]nbsp; And she came up to Dundee and we were doing Great Expectations. I was playing Estella. She saw me and thought I’d be right for this new play by John Whiting called A Penny for a Song,[8] which Peter Brook[9] was directing at the Haymarket with a wonderful collection of famous people – Basil Ra[…]
