[…]job thenwith... oh gawd. I think they were called British... oh, here we are, I’ve probably writtenit out here. ’51... British Industrial Films. John Curtois [ph]. And they were makingactually filmstrips, but of course as I’d started off at art school I was sort of capable offilmstrips as well […]
 Transcript created Sep 16, 2018 4:30:57 PM, from an automated transcription service, supplied by John Harwood and edited by David Sharp in 2019. The numbers in square brackets are timecodes. [Filming began outside]Interviewer: Jimmie King. David Woodward on camera.[TAP[…]
[…]gotten about now. It was, I loved it very much. And then to my absolute astonishment, Frank Sainsbury rang me from Realist. Now I knew Frank and John slightly when, when I'd been a librarian at GBI, and they'd come to look for material. And I'd always sort of, and I'd had a drink with them ther[…]
[…]ent History Project. The name of the interviewee is Madeline Smith; film, television and theatre actress and radio. The interviewer is Mike Dick, and John Luton is on camera. The interview number is seven two two and the date is the 13th of March 2024. Okay, Maddy, can we say who you are and what yo[…]
[…] the BBC. There was one other girl like myself, Marie Bingham, who later married Geoff Barnes. One person with whom I made friends on that course was John Mair? Who went into planning. I don’t remember where we met, but I remember going to Great Portland Street station, so it probably was somewhere […]
[…]It always rains on Sunday. I was the simplest thing. Actually, It always rains on Sunday. There was a case where, where the men on the run. Played by John McCallum, who was on the run from jail, he grabs of a bicycle somewhere in the road, and he pedals away at night, because the whole picture takes[…]
[…]velous place to start, because there were so many of the old British documentary people there. There was Arthur etton, Frank Sainsbury, Ruby Grayson, John Taylor, Donald Taylor was one of the producers. Shaw Alex Shaw, who else was there? Well, George Noel was one of the camera man and Harry Rick No[…]
[…] at Merioola for a period; JR talks about the journey from Australia and her arrival in London during times of austerity; JR talks about photographer John Deakin and theatre designer Loudon Sainthill. 00:35:15 – 00:43:30 By 1950, JR is still painting; she talks about some of the paintings sold […]
