[…]in those days I think, well you've probably talked to Peter, but I think that was sort of Ian Orr-Ewing and Peter Dimmock.Yes.And Campbell Logan, and Keith Rogers, I think, about that time, there were only about four of them. And so the department I think was beginning, was starting and, you know, t[…]
[…] Ian Orr-Ewing and Peter Dimmock. Yes. And Campbell Logan, and Keith Rogers, I think, about that time, there were only […]
[…]ced his driving) could get him from Clerk Street on his two days off back to his temporary home (until he moved into the property he was buying at Dalkeith) to Chester le Street in 90 minutes. My own best time in later years, when there were still no speed cameras, for Edinburgh to Newcastle was abo[…]
Tessa Idlewine (TI) Film Preservationist (Academy of Motion Picture Arts and Science) Interviewers: Paul Frith (PF) & Keith Johnston (KJ) Date 08/02/2019 Conduct via SkypeLength 00:35:23 PF: OK Tessa so if you could tell me a little bit about your role at the Academy.TI:[…]
[…]ere stimulating and exciting especially in the context in which we were putting them.However we completed the film, took it back to London and cut it Keith Latham cut it. Completely unlike anything Keith had handled before he was a very very fast, very experienced film editor who'd worked within the[…]
[…]IB print or an Eastmancolor, you wouldn’t always know, it would just say Print by Technicolor. I think I sent you some letters didn’t I from…PF: Yeah Keith’s [Johnston] got them.BP: Where the chap was asking them, you know, what was happening and why it was called Technicolor and when it was called […]
[…] Wardrobe Wizard’, in Ealing Revisited, ed. Mark Duguid, Lee Freeman, Keith M. Johnston and Melanie Williams (London: BFI, 2012), 111. […]
Chris Menges (CM) Cinematographer Interviewers: Paul Frith (PF) & Keith Johnston (KJ) Date 10/05/2019 Total Length 01:26:43 Part One[00:00:09]PF: Well first off, thank you Chris for taking part in the interview today. I think we should begin where your interests in film […]
