Search Results for: Kodak

[…] the impact of Eastman Color, a film stock introduced by Kodak in the 1950s, on British cinema. Elstree Screen Heritage […]

[…]servationists at the War Museum as well. They realise that nitrate was what was vulnerable and began to talk to the government chemist.50 minsAF: And Kodak. About what you do about all of that. And as a result, we got advice that was perhaps not the best because the first copies of the Battle of the[…]

[…]pensive. And it's very difficult to make a film.Unknown Speaker  1:03:43  Because where do you get the stock from, you're gonna get it from Kodak, you might be given some short ends. Whereas now, everything is so accessible all the digital stills cameras you can shoot movie with, you can s[…]

[…] which was a technical development in the early days of colour telecine where… I think it was probably a joint operation between the BBC and possibly Kodak and Cintel… someone had the idea that, because the colour analysis of telecine machines and the dyes in film overlap with each other spectrally,[…]

[…]bsp;A Man on the Beach that you could, don’t ask me how, but by some kind of research model and come up with a look-up table that gives you 1953 Kodak neg and print, you know, responses and then you feed in the faded…PF: I was going to say something about that. The fact that a film, say, that w[…]

[…]a Phonograph Company and say, press up 100 but when it came to a film, you had to teach the film laboratories. First of all, you had to work out with Kodak, where you worked a lot with Eastman. The techniques for doing it all had to be done scientifically. You see the development, and you had to cha[…]

[…] always very red so if you knew it was Fuji coming next, you could adjust the leaver to over roughly where Fuji was so that it would be right whereas Kodak was much more - why they mix the film stocks, I have no idea. Whereas, with STV, it was generally, if it was a movie, it was already a graded pr[…]

[…]ertain way and there won’t be much more of it coming through.CJ: No. Nostalgia’s all very well, but nobody’s going to manufacture film any more. Kodak have stopped doing a lot of film now.35 mins.Take a radical case: in Norway a few years ago, film is run by, it’s a state operation, all the cin[…]

[…]aboratory, they were there. Sadly most labs have closed now, because there isn't, you know, there, there isn't demand for processing. I was told that Kodak has almost finished, you know, I mean, that was the lifeblood of the film industry. And it's just it's very sad passing that took we have lost t[…]