Sid Etherington

…SIDE THREEHe talks about problems of stock consistency, manufacturing faults in Kodak Harrow stock. In 1950 when the Bush closed, he moved to Technicolor, where he went to Negative Control.

Jimmy Wright

…King George came up to review the squadron and, and he filmed the occasion on a Kodak Special in 16mm Kodachrome. Was posted overseas in 1943, he tells of meeting Ian Struthers (Paramount News) somewh…

Links & Resources

[…] the impact of Eastman Color, a film stock introduced by Kodak in the 1950s, on British cinema. Elstree Screen Heritage […]

Cy Young

…rint 'matching key numbers' on edge of stock, Visnews the lab for much-improved Kodak colour with no 'grain loss' on 16mm to 16mm, mixed media process for Buster Keaton documentaries - interviews on f…

Fred Gamage

…o jam. The high precision movement was particularly prone to problems with some Kodak stock due to inaccuracies in the perforating. He goes on to explain how the Newman Sinclair worked, and how the ca…

Phyllis Dalton

…t in Eastman colour negative; PD says that there was always someone on set from Kodak to talk about what could be done with colour; PD mentions Joan Bridge being on set.00:19:45 – 00:25:10 PD talks ab…

Peter Bucknall

…gotten the location) St Mary the Virgin. To film this he describes how two 16mm Kodak specials were mounted side by side, one negative for immediate use, and the other as a safety negative. Talks abou…

Graham Smart

Clem [?]Bending partners. 16mm Kodak special Mk 2; Kodachrome 1. Uganda PR films.

Nigel (Bob) Huke

… had finished. He talks about working with the Super Parva Debrie camera, about Kodak and Dupont film stocks and working on shooting back plates. In 1939 he moved to Shepperton to work on French Witho…

Gerry Fisher

…cated various places. After leaving technical college got a job (war time) with Kodak, making the F7 reconnaissance camera used by the Royal Air Force. Later called up into the Navy, didn’t want to ta…