[…]g was to select cameras. And here of course, again, Louis Nell was of some considerable help to me. And we decided that we would equip ourselves with Kodak Cine special in a cameras, which were regarded as more or less as the Rolls Royces of 16 millimetre cameras in those days, simple and effe[…]
[…]for coming and all this, that and the other well, out of all the people in you in the business, there was only two people there. There was power from Kodak's, what's his name, power and myself, the two of us went after all the years he put in. It seemed to me a bitRoy Fowler 4:57 much. I[…]
[…]urse nobody else had even thought of in those days. It so happened that when we became automatic, I was able to develop my negatives according to the Kodak principle, which was ten minutes, in my automatic machines at Shepherd's Bush, whereas Humphries and Denham was six minutes. That's why I got mu[…]
[…] right? Larry Allen: [Chuckling.] Well funny you should say that. Kodak only allowed me enough for me to buy a […]
[…] of it then wasn't as good as Eastmancolor. After all Kodak's had had cross patent agreements with Technicolor to hold […]
[…] had been sent down there to go and look at Kodak, so I had some friends down there. So I […]
[…] I was able to develop my negatives according to the Kodak principle, which was ten minutes, in my automatic machines […]
[…] bring back dye transfer printing so they had dye transfer prints with good blacks and their Eastmancolor prints you could see through the blacks. So Kodak responded by coming out with the Vision stocks that had very punchy contrast, good blacks, then all the cinematographers said “what happened to […]
[…]roaring trade with babies and children.Rodney Giesler: And you could get the film all right?Larry Allen: [Chuckling.] Well funny you should say that. Kodak only allowed me enough for me to buy a few sandwiches! Only a small quota, Kodak allowed you a quota! But I used to journey to London and I coul[…]
