[…]d Dickinson on Men of Two Worlds, shot in Africa; shooting on monopack which later became Eastmancolor – an agreement was reached with Dr Kalmus that Kodak would not sell their product elsewhere, Technicolor were using a lot of this stock at the time; DD had a lot of trouble with the film; the monop[…]
[…]at the time of the Coronation. And we had a few disasters in the lab and, of course, the quality of it then wasn't as good as Eastmancolor. After all Kodak's had had cross patent agreements with Technicolor to hold back Eastmancolor until Technicolor were ready to get out of the market with their th[…]
[…]25:41  You were lucky with a painting scheme see we couldn't get shot at the painting Kevin I wanted to get this pink machine shop years ago but Kodak the Prudential had money intechnicolour My name Ryan on the board we know for what I will know that Boise ultimately pulled out you know they st[…]
[…] as they called it, but it was still not a negative positive process, it was still a reversal film, it was Kodachrome really. It was made for them by Kodak. It wasn't made by Technicolor. Then they broke it down into three negatives and then used their own printing process. It wasn't very good. It w[…]
[…]t it, but it was up to the cameraman to decide what he wanted. Plus-X [Plus-6 ?] which was black-and-white film 30ASA I think. Then there was another Kodak film , black-and white one, which was 60, but I could cho ose what film I wanted, and I went for the fast one, if I was doing night exteriors, […]
[…]y just a couple of weeks ago and was named museum of the year, and now building, they're growing, and the big hump for them is they've been given the Kodak collection, and they're getting that into a new gallery, which will open in April, and thereafter they'll have more time to spend, but I like th[…]
[…]for coming and all this, that and the other well, out of all the people in you in the business, there was only two people there. There was power from Kodak's, what's his name, power and myself, the two of us went after all the years he put in. It seemed to me a bitRoy Fowler  4:57  much. I[…]
[…] the impact of Eastman Color, a film stock introduced by Kodak in the 1950s, on British cinema. Elstree Screen Heritage […]
[…]servationists at the War Museum as well. They realise that nitrate was what was vulnerable and began to talk to the government chemist.50 minsAF: And Kodak. About what you do about all of that. And as a result, we got advice that was perhaps not the best because the first copies of the Battle of the[…]
