Cyril Pennington

[…] second unit cameraman, he would cover the aperture on the lens and if they went up and said, "What are […]

daphne-ancell-hp-transcript

[…] it must have been the Training. Did you go with Len Runcle [ph 157]? I can‟t remember to be honest […]

Searching for Jack Cox

[…] support and inspiration to his younger colleagues. To camera operator Len Harris, Cox was ‘a marvellous chap’. At Gainsborough, when he […]

Roy Fowler

[…]establish a British film industry with an international presence and he was very, very indulgent of the people of whom he employed – the so called ‘talent’.  A lot of them, well Gabby I suppose was the worst because the film was budgeted at £250,000 which was a great deal of money in sterl[…]

Dennis Kimbley

[…]But I always wanted to get into the film industry. But then I didn't think I'd get I had no experience. Obviously I had no I didn't think I got any talent for it and whatnot. And so I decided that I one of my other main interests was photography. And the film part of it, I'd like to admit this photo[…]

Freddie Francis

[…] never realised you were shooting sound. So he used to wander around the set mouthing all the words all the time, because obviously when he did the silent films he used to speak the words all the time. But this was great.Stop me if I'm going off at a tangent. One thing I learnt here and I think I ca[…]

Hugh Attwooll

[…]knew then you must have worked on the film called Escapes. Did you? no The first thing we did was Nine till Six with Louise Hampton, Elizabeth Allen. And then oh there was a series of things, The Sign of Four years with Arthur Whatner. The Passive Footman, loyalties. lLoyalty is Looking on the […]
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