[…] wanted something that gave me freedom that I could find as an alternative to fashion art,which was my then passion. And I didn’t know anything about films at all, but I sort offelt that documentary films seemed to offer me something that interested me. But I didn’tknow anybody in films and I had no[…]
[…]d the most wonderful time, I’ve still got friends from those days, and it was there that I met a chap called Bert Pearl who was a producer of realist films and when I said to him: “Oh my god, I’ve got to start at Bedford College in a few weeks time and I don’t know what to do,” and he said: “Why don[…]
[…]ook I’ve got this idea of setting up a magazine called The Beast’, which was quite ahead of its time. It was to look at ecology, Green issues, animal liberation, he said ‘would you be interested in working on it?’ And I said ‘well, yeah’ - I’d have worked on anything rather than Our Price scratched […]
[…] various production companies during the 1920s, and began to direct films of his own. With the arrival of sound he […]
[…] the Special Collections of the BFI National Archive) and the films to which she contributed, promotional and publicity material, as […]
[…]a Brown. A lot of them had come from the theatre, or had come from television off the floor, or technical, hadn’t they?JPH: A lot of people from films.Daphne Shadwell DRAFT Page 67DS: A lot of people from films. But I’d been lucky that I’d been working in television. I think probably Lloyd[…]
[…] us to get to know the Palestinians like the Palestinian Liberation Front; Leila Kahled; extraordinary people who no one else […]
[…]cause she had wonderfulcontacts in the sort of espionage undercover world in Israel, which led us to get to know thePalestinians like the Palestinian Liberation Front; Leila Kahled; extraordinary people who noone else could get to. We even, when we did those films, got to the Red Brigade who were14t[…]
[…] It was to look at ecology , Green issues, animal liberation, he said ‘would you be interested in working on […]
