Search Results for: Lifetime Achievement Award at the Women in Film and Television Awards (2010)

[…] back for seconds...These things come to my mind...Um...I got an award, at the BBC, and Rene Cutforth. So we had […]

[…] photography Billy Williams: Yes I did. I got the BSC Award for that for Best Cinematography. That was anamorphic. And […]

[…]ou've got a bonus..." Oh! Oh yes, by the way, if I can go back to Korea. Um...just go back for seconds...These things come to my mind...Um...I got an award, at the BBC, and Rene Cutforth. So we had to go and see um...the Director General...Haley...and er up to Broadcasting House, and get a glass of […]

[…]ond favourite film was A Town Like Alice. I did little ones between The Kidnappers, one with the Children’s Film Foundation in 1953 that won an  award; with a Scottish actor called Moultrie Kelsall , there again we shot Scotland for Switzerland.John Legard: They showed that quite recently on th[…]

[…]ever worked on was men, a magnificent men and f9 machines with Ken and again, that was I mean, his history coming to life. And it is also a matter of achievement to see these pilots who were used to sort of landing on tarmac with modern aeroplanes having to go back to learn again to fly these new ai[…]

[…] Executives, which was a great honour, I picked up an award one year. And I'd been on the council of […]

BEHP transcript DisclaimerThis transcript has been produced automatically using Otter, https://get.otter.ai/interview-transcription/.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for[…]

[…]was converted from a PDF file into a Word document. It will require proof reading and editing.   Interview with Cyril Howard at Pinewood Studios on 25th August1988SIDE l, TAPE lRF:  When and where were you born. CH:  I&n[…]

[…]did all the work. And I say random or we'll see her that age, taking complete control of these unruly girls. She was mounters. That was invitation to award. And that's where I first got to know Douglas Fairbanks could not leave it on film, but he was came down that time. And then I used to get hired[…]

[…]bsp;I produced it. Stephen Peet: So we come to 77 and you got the Desmond Davis Award. Norman Swallow: 78 wasn't it, oh you get it the year after. Icollected it […]