[…]artin Spence 0:00 Okay, this is a British Entertainment History Project interview with Penny Woolcock. It's the 24th of April 2019. We're at Penny's home in north London.Camera's being operated by Nick Gilbey. Interviewer is Martin Spence. And the interview is copyright of the British En[…]
EXTRACT: On losing the job of a lifetime:-"I said a permanent job in films or television would be like winning the pools - any kind of a job, I’d be grateful. I suddenly got a phone call one day to see this guy called Ward Thomas, so I go traipsing down to this place beh[…]
[…]And, of course, Bernard Cribbens was absolutely brilliant in it. I mean, it was a Chaplinesque performance. It was for that film that I got the BAFTA Award for Best Editing.John Legard: Oh you did.p. 106Teddy Darvas: Bernard loved the film so much, he was chairman of the Guild of Film Edit[…]
Simon Lund (SL) Director of Technical Operations – Cineric, NY. Interviewer: Paul Frith (PF) Date 16/02/2018 Conducted Via Skype (Length 00:45:41) 00:00:00PF: This is an interview with Simon Lund from Cineric, New York, conducted on Skype by Paul Frith as part of the ‘Eastma[…]
[…]cause a bit of a splash.“We Are the Lambeth Boys” actually went out, and this was a great achievement, went out as a second feature in commercial cinemas and this was the time when documentaries were absol[…]
[…] all these people who have been so brilliant in their lifetime and who’ve been thrown on the waste heap by […]
[…]Prosser: But that was finally...I only tore up the papers for that a year or so ago. That original draft. But that's, I felt, was a certain amount of achievement in the interests of public money rather than anything else.Alan Lawson: As it were...you've left a monument...[chuckles]David Prosser: Yea[…]
