[…]uch against older people. 1920, as it is in the archives but not to be released while still I'm trying to work Norman Swallow: Me too. Alan Lawson: What about schooling Johnny Speight: None that I can, I went to a place that was called a school, a broken down Academy in Canning Town which I left at […]
BEHP transcript DisclaimerThis transcript has been produced automatically using Otter, https://get.otter.ai/interview-transcription/.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for[…]
[…] able to judge, I think it's time to let somebody else have a go. And that's how I feel the business has gone. Things have changed dramatically in my lifetime and I just think it's a younger person's business.Rodney Giesler : Couldn't agree more. It's the same from my point of view when everything w[…]
[…]oud of is that it looks like the Mississippi in flood and it was all shot in the studio at Pinewood, or near all. Technically I think it was quite an achievement actually.SC : It seems a very odd way of going about it, did you do it for an American company.CC: No, it was Rank, and the producer was, […]
BEHP transcript DisclaimerThis transcript has been produced automatically using Otter.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this interv[…]
[…]:05:55  a film that you ought to see if you can possibly get hold of it. I don't know whether the National Film Theatre has it is once in a lifetime. I think that's the name of it. It's a film about a small group of vaudeville artists who go to Hollywood in order to teach the talkies how t[…]
