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[…] good story about the importance of black culture in the West Indies and elsewhere on this country. And thatmovie was in the last three for the Focal Awards that year. And. So wedidn't get them gong but we got to the dinner. So that was nice. A good relationship with producerGary Hughes. And then we[…]
[…]e a good job at for rather a long time, in the sound side of the motion picture business, because I had been additionally honoured by the President's Award the year before, which I really thought was, was enough. I was so pleased with that, but they have a fellowship. To follow that was really well,[…]
BECTU History Project - Interview No. 25[Copyright BECTU]Transcription Date: 2003-01-24Interview Date: 1987-10-28Interviewers: Stephen PeetInterviewee: Philip LeacockTape 1, Side 1Stephen Peet: Ah, here we are, 28th October 1987. Name of interviewee, Philip Leacock, interviewed by Stephen Peet. The […]
[…]tant when I was made up was a film called “Public School” and the Editor was Paul Carter, the Director was Jonathan Gili and Paul won the BAFTA Craft Award for “Public School” and was was kind enough to share his prize with me. So that was that was delightful.SPEAKER: M2 [Paul Collard]So it sounds l[…]
[…]t's changed the union a great deal, of course.Well that's it, I think it has. Because it's now really it's, it's all geared, it's like with the BAFTA awards and all those sort of things I get so upset about, it's all about television. I mean, film, it was the film...Y es.Awards, let's face it, we ar[…]
[…]liant on bangs and crashes and zooms and whizzes and electronic effects. So that this one was recognising and you yourself can be justly proud of the achievement because it was featuring your original work. So as production recordist it is an extra large feather.PH It was a wonderful surprise becaus[…]
[…] bit, a bit more about, personally about Jim and his achievements in that you talk about? Well, the lecture that’s […]