[…];Costume Designer Interviewers: Paul Frith (PF) & Carolyn Rickards (CR) [EH’s husband, John Ralph [JR], also sits in on the interview] Date: 09/07/2018 Total Length: 01:41:49 CR: Thank you very much firstly for inviting us to your home today to do this interview. We’re gonna’[…]
BEHP transcript DisclaimerThis transcript has been produced automatically using Otter.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this interv[…]
[…] was merely using it as a vehicle to further his political career. And I think it's a tragedy what's happened I know people like Harry Gillam given a lifetime to our business nothing you know and unless everybody makes sure that nobody can not that he cares. And of course nobody has any time for the[…]
[…]vie town for. In this office. So what I'd like to do is I would like to give this list to you of all these people who have been so brilliant in their lifetime and are being thrown on the waste heap by being made redundant. I said, now there's all their names, what they do, what they can, and then te[…]
[…]at was? R: I think they've made a huge contribution. You only have to look back at all the programmes that they've made over the years. A lot of award-winning programmes at that. Again, going back to what I call the 'Golden Era' of STV, they did some incredible Dramas back then, which I happily[…]
[…]tras were not paid but were entered into raffles throughout the filming day, with the final prize being a new car; DW talks about winning the Academy Award and commercial director Dom McPherson; working with Sydney Pollack on Out of Africa and lighting Robert Redford; myths surrounding flattering li[…]
[…]called Thomas the Fish. Which I think was very funny, and that was quite successful. I mean, they reached paperback, which in those days was quite an achievement. SC: They were incredibly cheap, the selling price of those paperbacks in those days. DM: I know, unbelievable. AL: Half a […]
[…]oud of is that it looks like the Mississippi in flood and it was all shot in the studio at Pinewood, or near all. Technically I think it was quite an achievement actually.SC : It seems a very odd way of going about it, did you do it for an American company.CC: No, it was Rank, and the producer was, […]
