BECTU History Project - Interview No. 381 [Copyright BECTU]Transcription Date: 2001-07-24Interview Date: 1993-08-12Interviewer: Rodney GieslerInterviewee: L.P. WilliamsTape 1, Side 1 L.P. Williams : It's not always easy to remember these things.Rodney Giesler : Could you tell me when you w[…]
[…]o which was in Stroud and we established ourselves in Stroud where part of Animal Farm was produced and we stayed because it was a lovely place for a lifetime. Bob Godfrey: you were in Westbourne Grove weren't you? John Halas: Westbourne Terrace to make Animal Farm but also in Soho Square […]
[…];Costume Designer Interviewers: Paul Frith (PF) & Carolyn Rickards (CR) [EH’s husband, John Ralph [JR], also sits in on the interview] Date: 09/07/2018 Total Length: 01:41:49 CR: Thank you very much firstly for inviting us to your home today to do this interview. We’re gonna’[…]
BEHP transcript DisclaimerThis transcript has been produced automatically using Otter.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this interv[…]
[…] was merely using it as a vehicle to further his political career. And I think it's a tragedy what's happened I know people like Harry Gillam given a lifetime to our business nothing you know and unless everybody makes sure that nobody can not that he cares. And of course nobody has any time for the[…]
[…]vie town for. In this office. So what I'd like to do is I would like to give this list to you of all these people who have been so brilliant in their lifetime and are being thrown on the waste heap by being made redundant. I said, now there's all their names, what they do, what they can, and then te[…]
[…]at was? R: I think they've made a huge contribution. You only have to look back at all the programmes that they've made over the years. A lot of award-winning programmes at that. Again, going back to what I call the 'Golden Era' of STV, they did some incredible Dramas back then, which I happily[…]
[…]tras were not paid but were entered into raffles throughout the filming day, with the final prize being a new car; DW talks about winning the Academy Award and commercial director Dom McPherson; working with Sydney Pollack on Out of Africa and lighting Robert Redford; myths surrounding flattering li[…]
