Agnes Wilkie

[…] of something that STV had done many, many, many years before but we managed to get together enough money to make six half-hours and it's won lots of awards. It was amazing! Because I'm not from a Drama background, I had very limited input to it but I definitely made it happen from working with the […]

Kenneth Griffith

  Kenneth Griffith Side 1Colin Moffat  0:00  The copyright of this recording is vested in the ACTT History Project. Kenneth Griffith, actor in feature films, producer and performer in television documentary programmes.  Interviewer Colin Moffat 23rd of April 1[…]

Bill Girdlestone

[…]lour systems at all? You know, the Dufay and, of course there was the old Pathecolour, Cinecolor, you didn't work on any of those? Now, again in your lifetime you've worked with a lot of cameramen. Which do you reckon perhaps is the top one?Bill Girdlestone: I knew you were going to ask me that[…]

Tessa Idlewine

Tessa Idlewine (TI) Film Preservationist (Academy of Motion Picture Arts and Science) Interviewers: Paul Frith (PF) & Keith Johnston (KJ) Date 08/02/2019 Conduct via SkypeLength 00:35:23 PF: OK Tessa so if you could tell me a little bit about your role at the Academy.TI:[…]

Stanley Watkins

[…]:05:55  a film that you ought to see if you can possibly get hold of it. I don't know whether the National Film Theatre has it is once in a lifetime. I think that's the name of it. It's a film about a small group of vaudeville artists who go to Hollywood in order to teach the talkies how t[…]
Scroll to Top