Search Results for: Lighting

[…] wear me out and you know the press and the lighting that was instant I had to quickly do that […]

[…] didn't claim a lot of damages, they promoted him to lighting cameraman. Well this is the story I'm told, whether […]

[…]y they got it back when we moved to gosta. Green. I'm not sure about that. But that it was rigged out the scaffolding to help so that they could hang lighting. And everything was in jury rigged from that. So this, this was the equipment that this is from the American catalogue. This is the RCA TK 10[…]

TRANSCRIPTION OF  INTERVIEW WITH BERNIE ANDREWS Interview #1 – 1 Feb 2007Roll 1Interviewer – Mike Dick (MD)Interviewee – Bernie Andrews (BA)  Ellipses ‘…’ denote omissions or hesitations Timings – about every 5:00 minutes or so Tape 1 00:00 MDOK Bernie, can yo[…]

[…]n't actually involve himself and I got the set-up with you, you liked it, I liked it and I turned around to Denys I said “it’s all yours, do the lighting” and walked away. That’s another thing, I always walked away and never fiddled until it's my turn to fiddle. Everyone had their turn. An[…]

[…]ys have a piano on the set. And when we were getting ready for the next set-up, once he'd worked out what he wanted to do, he used to leave it to the lighting director and me to get on with the job and he'd go and play a bit of Chopin or something until I said, "All right Walter, we're ready." And o[…]

[…]id get a better dialogue track.  Then along came microphones with much more gain so you were able to come away from the artist a bit more so the lighting cameraman would light a bit more and say Don’t worry that microphone has got a big gain we will push you out a bit more before we get the mic[…]

[…]of all the various sections through which things had to be filtered before it ever got to, before we ever got to Peter county cameras, sound candles, lighting, is everything. But he was also he was also a chap who had been working as a sound operative on a boom in the studios when I had been a floor[…]

[…] Dennis O’Keefe, with a British co-director, Montgomery Tully. O'Keeffe was also the star of the picture with an American actress, Margaret Sheridan. Lighting cameraman was Gordon Lang; camera operator, Arthur Gordon [UNVERIFIED]; and I was in charge of the stereoscopic image control, although Raymo[…]

[…]not knowing anything about the story or what it was about and just said 'Well put a few flats here and a few flats there and see what we can do.' The Lighting Cameraman would come and approve and it was all sort of built together between us.R. F. So you had no operating budget for the picture?C. D. […]