[…] and Head of Drama at the BBC. He initiated the creation of Doctor Who in 1963.16 Sean Kenny (1929-1973) was an Irish set, costume and lighting designer. He is most notable for his work with Lionel Bart on musicals including Oliver! (1960). ED: I tried to make it l[…]
[…] his wardrobe mistress was and his make-up girl was and I did know most of them because they were his crew. And he said do you know Ronnie Taylor, my lighting cameraman, and I said I don't think we have ever met. He came over and I said I am glad to meet you at last, I'm such a fan. He said we've me[…]
HP0190 David Attenborough – Transcript.The copyright is vested in the BECTU History Project. David Attenborough, television director, producer.Interviewer Norman Swallow, recorded 8 April 1991Recordist: Alan LawsonSIDE ONE, TAPE ONENorman Swallow: Where and when were you born?David Attenborough: I w[…]
BEHP transcript DisclaimerThis transcript has been produced automatically using Otter, https://get.otter.ai/interview-transcription/.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for[…]
Erica Masters (production manager and assistant director) b.1917 by admin — last modified Jul 29, 2008 05:36 PM BIOGRAPHY: Erica […]
1 HP0190 David Attenborough – Transcript. The copyright is vested in the BECTU History Project. David Attenborough, television director, producer. […]
Paul Collard Laboratories (Kodak, Kays, Soho Images, Ascent Media, Metrocolor) Interviewers: Sarah Street (SS) & Carolyn Rickards (CR) Date: 06/12/2017 Total Length: 01:30:31 [00:00:00 – 00:03:35 General pre-interview conversation]SS: This is our Eastmancolor project int[…]
[…]act that “There’s a hair in the gate on camera 4 on that shoot with the 5 cameras”, “That one there doesn’t look good” or “There’s an issue with your lighting” you know. I think it was First Knight they were shooting at Pinewood, and one of the problems that they had, or continued to have there, was[…]
[…]we're going to see and this is what we're not going to see." Roy created the whole of Hampton Court like this and brilliantly, and Peter Suschitzky's lighting was brilliant too, because he was my DP. It looked like Holbein paintings. And it ended up as a royal premiere with Princess Anne and Prince […]
[…]. So that's the way it went, you know, so, um, but it was, it was employed a lot of people. I think one of the strangest things about it was the, the lighting was always a problem. I mean, the form the photographic side, but it was so heavy the equipment and we had all these electricians, you know, […]
