[…] to rely on daylight coming through the window or the lighting already in the room which might be of dubious […]
[…]at. And how it was lit because it was raised about 4ft? I’m trying to think… 4ft 6? And then on Perspex panels and it was lit from underneath but the lighting of it was just spectacular and I think that was his concept actually. I don’t think that came from Geoff Unsworth I mean, they probably worke[…]
[…]u had to sit in there all day............and it was dreadful stuff. Anyway, he had got this purply greyish tinge to it and with the fluorescent lighting in those days and you had this kind of grey......it would be good the SciFi films, it would be marvellous, you know what I mean. And so[…]
BECTU History Project - Interview No. 381 The Copyright of this interview with Larry Allen is the copyright of the British Entertainment History Project. To use contach the Secretary Sue Malden sue.malden@btinternet.com Transcription Date: 2002-07-08Interview Date: 1996-04-11&nb[…]
BECTU History Project - Interview No. 371 [Copyright BECTU]Transcription Date: 2002-02-07Interview Date: 1995-11-08 and 1995-11-09Interviewer: Bob AllenInterviewee: Mickey HickeyTape 1, Side 1. Bob Allen: This is an interview with Michael Hickey, better known as Mickey Hickey, who had a lo[…]
Copyright it is vested in the BECTU History ProjectMonty Berman, lighting cameraman, director and producer. Interviewer Alan Lawson.Recorded on 2 I June 1995.SIDE 1, TAPE 1Alan Lawson: Where and when were you bornMonty Berman: I was born on August 16th, 1913 in WhitechapelAlan Lawson: And schoolingM[…]