JOHN SCHLESINGER Feature film director Interviewer Norman Swallow, recorded on 30 March 1994 Copyright of the recording is vested in BECTU History Project SIDE 1, TAPE 1 Norman Swallow: Let's go back to day one, when where you born and where. John Schlesinger: I was bor[…]
Alan Lawson 0:01 The copyright of this recording is vested in the BECTUhistory project. Raymon Morse known professionally as Ramos, actor, set designer, model maker, makeup artist, a man of many talents. Interviewer Alan Lawson, recorded on the 26th of August 1993.Side one.Right he[…]
[…]Yes.Not these great, there was no photocopying, and the way the plan was copied from the designer to go to the scene master, the property master, the lighting engineer was that the girl, I, would do carbon copies.Yes.You know, you’d actually go all round the thing with a pencil, no Biros just yet, B[…]
THE ACTT HISTORY PROJECTEDWARD CARRICKINTERVIEWED BY SID COLE WITH ALAN LAWSON.The copyright of this recording is vested in the ACTT History Project Edward Carrick, Art Director/Designer, recorded on 30th January 1991.Interviewer, Sid Cole.SC: Teddy, it's lovely to see you after all these years. In […]
[…]out making armour for the film.00:14:17 – 00:21:10 Directors DD worked with include George Pearson, Graham Cutts, Sinclair Hill; after Stoll DD was a lighting cameraman; in 1925 only one film was being made in all of the British Empire which DD worked on as a camera assistant – Satan’s Sister starri[…]
[…]ising and developing and assessing for rush printing.Fl: Check lighting, so we set co lighting, so we set all thelighting for the pilots which were produced.&nbs[…]
behp0076t-cyril-crowhurst-transcript This interview is the copyright of the BEHP7 hours 45 minutes Side A - Interview with Cyril Crowhurst at his home on Monday 6 February 1989. A In point of fact I was born in 1906 and the birth […]
BEHP 0:00 We're in the theatre five at Pinewood at the date is the 25th, Tuesday the 25th of October 1988. And we're going to go through the basic questionairre first, and then hopefully, if we don't get out all the bits and pieces we want from the, we'll go over to the more specialised […]
NOTE. At the end of this transcript is an earlier shortened version highlighting the main pointsBEHP transcript DisclaimerThis transcript has been produced automatically using Otter, https://get.otter.ai/interview-transcription/.It provides a basic, but unverified or proofread transcript of the[…]
[…] do, all the arrangements in the Abbey and all the lighting. We used to light for TV as well at […]
