Madeline Smith

[…]nking how much less frightening than I'd ever feared, filming was. How intimate, how lovely everybody is. All the camera people and the grips and the lighting and the director, of the first, bullying first assistant. He became my friend. That was Derek Whitehurst. And he became a real friend. And I […]

Marjorie (Sullivan) Graham

BEHP transcript DisclaimerThis transcript has been produced automatically using Speechmatics.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this[…]

Jill Langley

BEHP transcript DisclaimerThis transcript has been produced automatically using Otter.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this interv[…]

Tim Emblem - England

[…]ves, you haven’t got any kind of print grading to guide you as to how scenes are supposed to look and so you’re very much dependant on, obviously the lighting and photography to begin with but also there are things you can do electronically to enhance the artistic look of a scene which you wouldn’t […]

Ronald Seeth

[…]new challenges now. There was corporate videos to be made. There was commercials and there was a new thing which I'd not even considered and that was lighting. Lighting was something that somebody else did and I wasn't really too much bothered about it. Operating Cameraman was fine. Now I was intere[…]

Simon Rose

BEHP transcript DisclaimerThis transcript has been produced automatically using Otter, https://get.otter.ai/interview-transcription/.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for[…]

Moira Armstrong

[…]The BBC because I’d actually been around for quite some time. I think occasionally you would find little sort of pockets of resistance. You know, the lighting director whom I eventually got to know quite well who, you know, we had terrible arguments. I won’t say what his name is.Oh go on.It was John[…]

David Croft

David Croft Side 1Camera  0:03  Yeah, carry on. When we've done a few questions. I'll just do a check replay check .Darrol Blake  0:09  Oh, yes, please. Good idea. Okay, Yeah. You are rolling? Yeah. Okay. The copyright of this recording is vested in the BECTU […]
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