Search Results for: Lighting

Timecode 03:54:10:07 to 04:41:02:04 SPEAKER: M1 Ozzie Morris side 6 22nd of October. Now continuing talking about your experience with […]

[…] for capturing situations when they happen.  It doesn’t matter if the lighting isn’t good or even if there is no light […]

[…] there were the [film] editors.  The [film] editor was a crucial member of the team because once the film had been shot – the reporter, the lighting crew, the cameraman and the soundman and everybody had got on the plane and we’d shot whatever we needed to shoot and bring it back – somebod[…]

Peter Lamont Production Designer Interviewer: Paul Frith (PF) Date: 28/07/2018 Total Length: 01:25:07 PF: This is an interview with Peter Lamont, 24 July 2018. I just want to thank you Peter for taking part in this. So just to start, perhaps you could tell us a little bit ab[…]

BEHP transcript DisclaimerThis transcript has been produced automatically using Otter.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this interv[…]

[…] Yes, it would be. I: Aye. R: And the start of colour. I: Right, yeah. R: The start of colour was rather unfortunate for the floodlighting wasn't very good and, of course, all the Directors wanted it in colour and all the engineers said, "There's not enough light for this!" but y[…]

BEHP Interview No 0726t Roger Smither (RS). Transcript. Interviewer: Murray Weston (MW). MW: This interview is No 726 for the British Entertainment History Project. The subject, the interviewee, is Roger Smither, and I’m Murray Weston, interviewing.Now Roger, we start as with most of these[…]

British Entertainment History Project INTERVIEW NO.712 INTERVIEWEE – NEVILLE WORTMANINTERVIEWER – DARROL BLAKE Transcriber – Linda Hall-Shaw NEVILLE WORTMAN:  I am Neville Wortman.  I was born on the 28th March 1932 in London.DARROL BLAKE:  And what sort of family […]

[…]erton was going on and I was working at Shepperton, in the breaks was doing other things in the theatre. And doing Assistant Director jobs. I was moonlighting. It was highly illegal union-wise I suppose, but I knew somebody I think it was a second assistant, they wanted help on a picture called Nigh[…]