[…]to put these things together so they simply stole them from newspapers but all the technical trades, the cameramen, the sound guys, the electricians, lighting directors, most of them had no experience! I think I'm probably right in saying a few sound people, one or two camera people, senior people, […]
[…]d all the editors were staff. Freelance would come on board for dramas, for Taggart and the like, that was largely freelance but even still then, the lighting cameramen would be staff. Sound recordists would probably be staff. But the industry has evolved to being much more flexible labour force. Th[…]
Unknown Speaker 0:00 like this, we keep it small and nice team. So weUnknown Speaker 0:10 need to go live. Okay nowDerek Threadgall 0:13 what we're going to do Barry if you will say who you are andUnknown Speaker 0:23 when I was born and where you reme[…]
[…]e hotel rooms on the floor in a in a rehearsal room, and we, we basically blocked the whole thing. We spent the week before we shot with the with the lighting, camera man, vit old stock, and, and we, and we worked it out and, and the designer was Gemma Jackson. I mean, it was a fantastic team, and t[…]
[…]now, not even six foot high, this huge place where people sat, this person doing that bit, right the way through this factory. A lot of them were moonlighting, they had other jobs. It was so unbelievably hot. One fan which would go around... so I was helping on the camera, and you, this, this fan wo[…]
This recording was transcribed by funds from the AHRC-funded ‘History of Women in British Film and Television project, 1933-1989’, led by Dr Melanie Bell (Principal Investigator, University of Leeds) and Dr Vicky Ball (Co-Investigator, De Montfort University). (2015).BECTU History ProjectInterview n[…]
Jocelyn Rickards (JR)Costume DesignerBECTU No.493Interviewer: Roy Fowler (RF)Date 7-8/3/2001 & 5/4/20017 Tapes 7-8/3/2001Side 100:00:00 – 00:17:35 Born 1924, in Melbourne; when she was 11 her family moved to Sydney; at 14 she went to art school where she studied for 6 years; she came from a[…]
[…]e friends with the hairdresser.Phyllis Dalton Page 26And what about the make-up side, because I know that’s related to the cameraman as well,the lighting.Yes, well luckily it doesn’t affect the costume quite so much, although you might say, wellthat’s a bit much, or not enough, or whatever.And […]
