[…]cene, because everybody else was busy as the third and I really screwed it up. And he tore a lamp off me. And later on in my career, I used him as my lighting cameraman on a couple of my movies. And we always laughed about that moment, but he was a great he was really a great cameraman. Very clever […]
Kieron Webb (KW) Conservation Manager (British Film Institute) Interviewer: Paul Frith (PF) Date 30/01/2019 Length 00:27:16 00:00:00PF: OK, so this is an interview with Kieron Webb at the BFI, Berkhamsted, on 30 January 2019. So if you can start Kieron just by introducing yo[…]
Robert Love [Start of Recording] [00:00] I: So we're interviewing Robert Love. I'm the interviewer, Tim Amyes. Robert was here from '76 to '93? R: Till 2001, I think! I: 2001! 1976 till 2001. And today is the 28th [May, 2017]. So there we go. We've identified the tape. So wh[…]
BRITISH UNIVERSITIES FILM & VIDEO COUNCIL Interview with EDGAR ANSTEY I think it's interesting as background to consider the extent to which the original dress and philosophy er - was developed in the first instance by him and then er - was moved out, partly by his efforts, partly by the efforts[…]
BEHP transcript DisclaimerThis transcript has been produced automatically using Speechmatics.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this[…]
[…]e camera and say I want to be a camera operator I didn’t want to do that work anyway, the technical side of television doesn’t really interest me. Or lighting and all that. Erm, I thought research interests me. It always has done. The actual act of finding something I find really interesting. So erm[…]
[…] yes? is to the people who do the same jobs as them, so maybe. And often it’s very narrow, it’s not even just all the Camera Department it’s just the lighting camera or just, you know, camera operators or just focus pullers, I mean elsewhere. And the same is true about editors, the same is true abou[…]
Interviewed by Andrew Dawson, University of Greenwich, 24 August 2010 Roy, before we actually get started on the interview can you give me your date of birth please? It was the tenth of March 1927. Okay. You’re one of the founders of The ACT BECTU History Proje[…]
[…]working on the production. So, to me, the most important person in any feature film or any film at all, really is not the director, it's not the, the lighting camera man or whatever, it's the editor.Howard Lanning 1:27:08 Well, people do say that, and you can't understate the the value o[…]
